Prejudices, second seriesMencken, H. L. (Henry Louis)
History
Prejudices, second series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
"La force et la foiblesse de l'esprit," said Rochefoucauld, "sont
mal nommées; elles ne sont, en effect, que la bonne ou la mauvaise
des organes du corps." Science wastes itself hunting in the other
direction. We are flooded with evidences of the effects of the mind
on the body, and so our attention is diverted from the enormously
greater effects of the body on the mind. It is rather astonishing that
the Wassermann reaction has not caused the latter to be investigated
more thoroughly. The first result of the general employment of that
great diagnostic device was the discovery that thousands of cases of
so-called mental disease were really purely physical in origin--that
thousands of patients long supposed to have been crazed by seeing
ghosts, by love, by grief, or by reverses in the stock-market were
actually victims of the small but extremely enterprising _spirochæte
pallida._ The news heaved a bomb into psychiatry, but it has so far
failed to provoke a study of the effects of other such physical
agents. Even the effects of this one agent remain to be inquired into
at length. One now knows that it may cause insanity, but what of the
lesser mental aberrations that it produces? Some of these aberrations
may be actually beneficial. That is to say, the mild toxemia
accompanying the less virulent forms of infection may stimulate the
brain to its highest functioning, and so give birth to what is called
genius--a state of mind long recognized, by popular empiricism, as a
sort of half-way station on the road to insanity. Beethoven, Nietzsche
and Schopenhauer suffered from such mild toxemias, and there is not
the slightest doubt that their extraordinary mental activity was at
least partly due to the fact. That tuberculosis, in its early stages,
is capable of the same stimulation is a commonplace of observation.
The consumptive may be weak physically, but he is usually very alert
mentally. The history of the arts, in fact, shows the names of hundreds
of inspired consumptives.
Public-domain text, read in full here on John Shaqi.
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