Two other teachers of that school I remember pleasantly as fellows whose pedagogy profited me—both, it happens, were drunken and disreputable men. One taught me to chew tobacco, an art that has done more to give me an evil name, perhaps, than even my Socinianism. The other introduced me to Shakespeare, Congreve, Wycherly, Marlowe and Sheridan, and so filled me with that taste for coarseness which now offends so many of my customers, lay and clerical. Neither ever came to a dignified position in academic circles. One abandoned pedagogy for the law, became involved in causes of a dubious nature, and finally disappeared into the shades which engulf third-rate attorneys. The other went upon a fearful drunk one Christmastide, got himself shanghaied on the water-front and is supposed to have fallen overboard from a British tramp, bound east for Cardiff. At all events, he has never been heard from since. Two evil fellows, and yet I hold their memories in affection, and believe that they were the best teachers I ever had. For in both there was something a good deal more valuable than mere pedagogical skill and diligence, and even more valuable than correct demeanor, and that was a passionate love of sound literature. This love, given reasonably receptive soil, they knew how to communicate, as a man can nearly always communicate whatever moves him profoundly. Neither ever made the slightest effort to “teach” literature, as the business is carried on by the usual idiot schoolmaster. Both had a vast contempt for the textbooks that were official in their school, and used to entertain the boys by pointing out the nonsense in them. Both were full of derisory objections to the principal heroes of such books in those days: Scott, Irving, Pope, Jane Austen, Dickens, Trollope, Tennyson. But both, discoursing in their disorderly way upon heroes of their own, were magnificently eloquent and persuasive. The boy who could listen to one of them intoning Whitman and stand unmoved was a dull fellow indeed. The boy who could resist the other’s enthusiasm for the old essayists was intellectually deaf, dumb and blind.