Prejudices, third seriesMencken, H. L. (Henry Louis)
History
Prejudices, third series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
As I say, I often entertain the thought that it would be better,
in the long run, to make terms with a power so hard to resist, and
thereby purge it of its present compulsory criminality. I doubt that
capitalists, as a class, are naturally vicious; certainly they are
no more vicious than, say, lawyers and politicians—upon whom the
plain people commonly rely, in their innocence, to save them. I have
known a good many men of great wealth in my time, and most of them
have been men showing all the customary decencies. They deplore the
harsh necessities of their profession quite as honestly as a judge
deplores the harsh necessities of his. You will never convince me that
the average American banker, during the war, got anything properly
describable as professional satisfaction out of selling Liberty bonds
at 100 to poor stenographers, and then buying them back at 83. He knew
that he’d need his usurious profit against the blue day when the boys
came home, and so he took it, but it would have given him ten times as
much pleasure if it had come from the reluctant gizzard of some other
banker. In brief, there is a pride of workmanship in capitalists, just
as there is in all other men above the general. They get the same
spiritual lift out of their sordid swindles that Swinburne got out of
composing his boozy dithyrambs, and I often incline to think that it
is quite as worthy of respect. In a democratic society, with the arts
adjourned and the sciences mere concubines of money, it is chiefly the
capitalists, in fact, who keep pride of workmanship alive. In their
principal enemies, the trades-unionists, it is almost extinct. Unionism
seldom, if ever, uses such power as it has to insure better work;
almost always it devotes a large part of that power to safeguarding
bad work. A union man who, moved by professional pride, put any extra
effort into his job would probably be punished by his union as a sort
of scab. But a capitalist is still able to cherish some of the old
spirit of the guildsman. If he invents a new device for corralling the
money of those who have earned it, or operates an old device in some
new and brilliant way, he is honored and envied by his colleagues.
The late J. Pierpont Morgan was thus honored and envied, not because
he made more actual money than any other capitalist of his time—in
point of fact, he made a good deal less than some, and his own son, a
much inferior man, has made more since his death than he did during
his whole life—but because his operations showed originality, daring,
coolness, and imagination—in brief, because he was a great virtuoso in
the art he practiced.
Public-domain text, read in full here on John Shaqi.
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