Prejudices, third seriesMencken, H. L. (Henry Louis)
History
Prejudices, third series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
Hill Cemetery—in brief, all the photographs that collect about a man
as he staggers through life, and entertain his ribald grandchildren
after he is gone. Then comes a treatise on the ancestry and youth of
the poet, then a collection of newspaper clippings about him, then
a gruesomely particular account of his death, then a fragment of
autobiography, then a selection from his singularly dull letters, then
some prose pieces from his pen, then the aforesaid tributes of his
neighbors, and finally a bibliography of his works, and an index to
them.
As I say, a volume of fearful bulk and beam, but nevertheless full of
curious and interesting things. Cawein, of course, was not a poet of
the first rank, nor is it certain that he has any secure place in the
second rank, but in the midst of a great deal of obvious and feeble
stuff he undoubtedly wrote some nature lyrics of excellent quality.
The woods and the fields were his delight. He loved to roam through
them, observing the flowers, the birds, the tall trees, the shining
sky overhead, the green of Spring, the reds and browns of Autumn, the
still whites of Winter. There were times when he got his ecstasy into
words—when he wrote poems that were sound and beautiful. These poems
will not be forgotten; there will be no history of American literature
written for a hundred years that does not mention Madison Cawein. But
what will the literary historians make of the man himself? How will
they explain his possession, however fitfully, of the divine gift—his
genuine kinship with Wordsworth and Shelly? Certainly no more unlikely
candidate for the bays ever shinned up Parnassus. His father was a
quack doctor; his mother was a professional spiritualist; he himself,
for years and years, made a living as cashier in a gambling-house!
Could anything be more grotesque? Is it possible to imagine a more
improbable setting for a poet? Yet the facts are the facts, and Mr.
Rothert makes no attempt whatever to conceal them. Add a final touch
of the bizarre: Cawein fell over one morning while shaving in his
bathroom, and cracked his head on the bathtub, and after his death
there was a row over his life insurance. Mr. Rothert presents all of
the documents. The autopsy is described; the death certificate is
quoted.... A strange, strange tale, indeed!
4
_Frank Harris_
Public-domain text, read in full here on John Shaqi.
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