direct reasoning from first principles.
(271.) Whenever an impulse of any kind is conveyed by the air, to our
ears, it produces the impression of sound; but when such an impulse
is regularly and uniformly repeated in extremely rapid succession, it
gives us that of a musical note, the pitch of the note depending on
the rapidity of the succession (see art. 153.). The sense of harmony,
too, depends on the periodical recurrence of coincident impulses on the
ear, and affords, perhaps, the only instance of a sensation for whose
pleasing impression a distinct and intelligible reason can be assigned.
(272.) Acoustics, then, or the science of sound, is a very considerable
branch of physics, and one which has been cultivated from the earliest
ages. Even Pythagoras and Aristotle were not ignorant of the general
mode of its transmission through the air, and of the nature of harmony;
but as a branch of science, independent of its delightful application
in the art of music, it could be hardly said to exist, till its nature
and laws became a matter of experimental enquiry to Bacon and Galileo,
Mersenne and Wallis; and of mathematical investigation to Newton, and
his illustrious successors, Lagrange and Euler. From that time its
progress, as a branch both of mathematical and experimental science,
has been constant and accelerated. A curious and beautiful method of
observation, due to Chladni, consists in the happy device of strewing
sand over the surfaces of bodies in a state of sonorous vibration,
and marking the figures it assumes. This has made their motions
susceptible of ocular examination, and has been lately much improved
on, and varied in its application, by M. Savart, to whom we also owe a
succession of instructive researches on every point connected with the
subject of sound, which may rank among the finest specimens of modern
experimental enquiry. But the subject is far from being exhausted; and,
indeed, there are few branches of physics which promise at once so much
amusing interest, and such important consequences, in its bearings on
other subjects, and especially, through the medium of strong analogies,
on that of light.
_Light and Vision._
Public-domain text, read in full here on John Shaqi.
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