Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
All arose very early, with a vague yearning hope that tidings might
come with the morning light, and the eager greeting when two of that
anxious household met together was always, “Have you heard?—are there any
tidings?”
Annabella would not appear at the breakfast table. Ida, pale as
sculptured marble, scarcely able to swallow the nourishment of which
she partook as a duty, sat beside her father, every sense absorbed in
anxious listening. She heard the postman’s step before she could see his
form, and eagerly sprang forward to meet him, for it was possible—just
possible—that he might be the bearer of news!
The man shook his head sadly when questioned; he had brought nothing but
a parcel for the Countess of Dashleigh with the London post-mark upon it;
and, with a sickening sense of disappointment, Ida bore it to the room of
her cousin.
A strange gleam of hope flashed in the countess’s large hollow eyes,
as, without noticing the post-mark, she tore open the little packet; it
was followed by a strange revulsion of feeling. There lay before her,
beautiful in its fanciful binding of violet and gold, its glittering
edges bright from the hand of the gilder, “_THE FAIRY LAKE, by the
COUNTESS OF DASHLEIGH_.”
There was a time when the youthful authoress would have gazed on the
volume with delight, and turned over its pages with eager curiosity
and pleasure! But now—there seemed written upon each a tale of wilful
rebellion and insolent pride! Annabella flung her first book from her
with an exclamation of anguish, for was it not connected in her mind with
the fearful fate of her husband!
Then, with a sudden resolution, she rose from her seat, and hastily
opened that desk at which she had penned her fatal article for the ——
Magazine. Annabella would make some reparation, such reparation as yet
was possible, for the deed so deeply repented of. The countess wrote,
with a hand that shook so that she could scarcely form the letters, a
note to her publisher in London, bidding him at once cancel the whole
edition of her romance, prohibiting him from selling a single copy
of the work which he had been hurrying through the press, and making
herself responsible for his losses, whatever they might be. No earthly
consideration would have induced the miserable wife to delay, even for
an hour, the act by which she crushed the bud of hope, so long eagerly
fostered, at the very moment when it burst into blossom! The young
authoress, once soaring so high in the pride of literary ambition, was
cutting the cords of her balloon!
Public-domain text, read in full here on John Shaqi.
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