Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
But Mabel’s diversion was very ill-chosen. At the mention of the
name “Dashleigh,” the doctor’s countenance, which had been wearing
an expression far more complacent than that habitual to his leonine
features, changed to one dark and louring, the index of the gloomy
passions that reigned within. Mabel saw not the change, for her eyes were
fixed upon the distant prospect, but it was witnessed by Augustine and
Ida, who exchanged glances with each other,—the gentle girl’s significant
of regret, the uncle’s of indignation. “Is not the black drop wrung out
from that proud heart yet?” was the mental comment of Augustine.
“Has not this house the repute of being haunted?” asked Ida, in order to
turn the doctor’s thoughts into a different channel.
“Old women and young fools say that it is so still,” replied Timon Bardon
gruffly.
“O! Papa,” lisped Cecilia, who had no inclination to acknowledge herself
as coming under either of these denominations, “you know what strange
noises are heard every night!”
“Creaking of doors, cracking of old timber, the wind whistling away in
the chimneys!”
“Well, I confess,” said Cecilia, with a little affected laugh, “that
delightful as the tower is on a summer’s day like this, I shall not care
to wander much through its long echoing corridors on a dark winter’s
night. Mr. Aumerle,” she continued, addressing Augustine, who was
leaning on the stone parapet, and gazing down with an abstracted air,
“you who know everything, do you know of no charm to lay the bad spirits
that are said to haunt ancient houses?”
“I am afraid,” replied Augustine gravely, “that such spirits are wont to
haunt new houses as well as old ones, and that it needs more knowledge
than philosophy can teach to give us the power to lay them.”
Cecilia looked puzzled at the enigmatical reply, but before she had time
to ask for a solution, Mabel interrupted the conversation by suddenly
exclaiming, “Surely that is the Dashleigh’s carriage that has just turned
the corner of the hill!”
“We have stayed long enough on this tower,” said the doctor, averting
his eyes from the direction in which those of Mabel were turned; “let us
descend to the court.”
His suggestion, which sounded like a command, was followed at once by his
guests; poor Cecilia heaved a sigh at the thought that once she might
have indulged a hope that the gay carriage with its dashing bays might be
bound for Nettleby Tower. “After all that has happened,” she reflected
sadly, “that is impossible now!”
The descent of the long winding stairs, whose steep, rude, age-worn
steps were only dimly lighted by narrow slits cut here and there in the
massive stone wall, required both caution and time. Ere Bardon, who was
the last of the party, had emerged from the low-browed door which opened
into the courtyard, the bridge across the moat had been crossed, and the
Earl and Countess of Dashleigh were already exchanging kindly greetings
with the foremost of the Aumerles.
Public-domain text, read in full here on John Shaqi.
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