Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
As it was, Creech made an agreement which left Burns to bear all the
immediate risks and perhaps to receive a modest immediate profit, but
which reserved the long-term earnings for the publisher alone. As was
often the case with books published by subscription, the man whose
name appeared on the title-page was not the publisher in the modern
sense, but merely the author’s agent. He provided the facilities for
collecting the subscriptions and distributing the books, but took none
of the financial responsibility. The author received the entire payment
for the subscribers’ copies, but out of these receipts had to pay the
printer, the bookbinder, and also, presumably, the transportation
charges on copies delivered out-of-town. Furthermore, the agents who
distributed the books naturally expected to be paid. Hence Burns,
wherever possible, enlisted his friends for this service--Alexander
Pattison at Paisley, for instance, and Robert Muir at Kilmarnock--and
when that was not feasible still sought to avoid the regular
booksellers because they took ‘no less than the unconscionable, Jewish
tax of 25 p^r Cent. by way of agency’.
The price to subscribers was set at the modest sum of five shillings,
and close to three thousand subscriptions were obtained. Burns objected
to printing the names of the subscribers--quite naturally, for the
thirty-eight pages meant money out of his pocket merely to gratify the
vanity of people yearning to see their names in print as patrons of
literature--but was overborne by some friends whom he did not ‘chuse
to thwart’. Professor Snyder calculates Burns’s utmost possible gross
receipts from the subscription at £750. But after all charges were paid
the net profit cannot have been more than half that sum. He told Mrs.
Dunlop that he cleared about £540, but there, as in a similar statement
to John Moore, he was reckoning in Creech’s payment of 100 guineas for
the copyright.
Public-domain text, read in full here on John Shaqi.
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