Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
Men like Boswell and Sinclair would have answered without hesitation
that it was. The Union had admitted Scotland to as much share as she
could grasp of the wealth of the British Empire; commerce and industry
were increasing year by year; the poor relation was beginning to live
like the prosperous branch of the family. For such profits, the change
of name from ‘Scotland’ to ‘North Britain’ seemed a small price. To
those who shared in the new prosperity, the suggestion of a nationalist
movement would have seemed rank folly or even downright treason. So
long as the prosperity continued, indeed, the ‘practical men’ had the
overwhelming majority of their countrymen with them. The emergence of
Scottish nationalism as a political force to be reckoned with had to
await the collapse of Scottish industry which followed the World War.
With the loss of material prosperity, the Scots have begun to question
the value of the system which transfers to Westminster the control of
their local affairs. Scottish poverty and Scottish pride are seemingly
interdependent. Removal of the one will make the nation more willing to
swallow the other.
Even if Burns had shared the material prosperity resulting from the
Union, instead of helping, as tenant of rack-rented land, to pay for
it, his feelings would have been the same. In every fibre of his
being he shared the spirit of those Scots who, in contradiction of
every proverbial association of pawky caution with their race, have
been among the greatest soldiers, explorers, and idealists of modern
history. Montrose and Livingstone, Admiral Duncan and Mungo Park,
expressed in action the national traits which he expressed in song. His
calling, consciously accepted, was that of national poet; his other
activities merely the ‘sweat, that the base machine might have its
oil’. He refused payment for his songs, because the task of supplying
words to national melodies was a patriotic service, embalming and
treasuring up these relics of his country’s spirit to a life beyond
life.
Public-domain text, read in full here on John Shaqi.
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