Art, Prehistoric; Folk literature -- History and criticism
It is generally claimed that slovenly execution brings about
deterioration of pattern and through this, causes misunderstandings.
I do not consider this explanation as tenable under the conditions of
life prevailing among primitive people, because there is no slovenly
execution among natives who make utensils for their own use. The
pottery and paintings of the South American Indians, observed by Von
den Steinen, the crocodile arrows of New Guinea, the frigate bird
carvings, are all carefully made. We find often that people will use
inferior wares for exchange with neighboring tribes, while they keep
the good material for themselves. The natives of Vancouver Island
for instance, adulterate with elderberries berry cakes that are made
for trade, while those made for home consumption are made of the
more valuable berries, such as blueberries or salmonberries without
the addition of other material of inferior value. This tendency,
particularly when combined with the desire to manufacture quickly
large masses of material, leads to poor work. The question then
arises, what happens in cases of this kind. Does slovenly work lead to
misunderstandings and to conventionalism? Balfour has tried to make the
process clear. He let an individual copy a design and used the first
reproduction as original for a second copy. By continuing in this way
he received the most astonishing transformations. Such results may
occur when work executed in a highly developed technique is imitated by
people of lesser accomplishments. The standard example is that of the
degeneration of Greek coins when copied by Keltic imitators[75] which
led to a complete disruption of the original design. However, this
example is not to the point, because we are ordinarily not dealing with
copies of designs borrowed from people of higher technical development,
but with those belonging to a single tribe.
[75] See Max Ebert, Reallexikon der Vorgeschichte, Vol. 6, pp. 301 et
seq.
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