Primitive Athens as described by ThucydidesHarrison, Jane Ellen
History
Primitive Athens as described by Thucydides
Harrison, Jane Ellen
Athens (Greece) -- Antiquities; Athens (Greece) -- Description and travel
Of the actual sanctuary of Aphrodite Pandemos not a trace has been
found. From the account of Pausanias coupled with that of Harpocration
we should expect it to be somewhere below the sanctuary of Ge and above
the fountain Enneakrounos, near which was the ancient agora, and of
course outside the Pelargikon. When the West slope of the Acropolis
was excavated[244] in the upper layers of earth about 40 statuettes of
Aphrodite were found, and these must have belonged to the sanctuary.
Inscriptions[245] relating to her worship were found built into a
mediaeval fortification wall near Beule’s Gate. These, as not being
_in situ_, cannot be used as topographical evidence, but they give us
important information as to the character of the worship of Pandemos.
The first[246] of these inscriptions (Fig. 33) dates about the beginning
of the fifth century B.C. ‘[...]dorus dedicated me to Aphrodite a gift
of first fruits, Lady do thou grant him abundance of good things. But
they who unrighteously say false things and....’ Unfortunately here the
inscription breaks off so the scandal will remain for ever a secret.
Aphrodite, it is to be noted, is prayed to as a giver of increase. She
does not seem yet to have got her title of Pandemos, but as this occurs
in the two other inscriptions found with this one, and they probably all
three came from the same sanctuary, this Aphrodite is almost certainly
she who became Pandemos.
[Illustration: FIG. 33.]
[Illustration: FIG. 34.]
The second inscription (Fig. 34), dating about the middle of the 4th
century B.C., is carved on an architrave adorned with a frieze of doves
carrying a fillet. The architrave is broken midway. Only the left-hand
half is represented in the figure. This inscription[247] again is partly
metrical, forming an elegiac couplet.
‘This for thee, O great and holy Pandemos Aphr[odite,
We adorn with gifts, our statues.’
Beneath in prose and in smaller letters come the names of the dedicators.
Pandemos is here quite plainly the official title of the goddess.
The third and latest inscription[248] is carved on a stele of Hymettus
marble. It is exactly dated (283 B.C.) by the archon’s name, the elder
Euthios. It records a decree made while a woman called Hegesipyle was
priestess. The decree, which is too long to be here quoted in full,
ordains that the _astynomoi_ should at the time of the procession in
honour of Aphrodite Pandemos ‘provide a dove for the purification of the
temple, should have the altars anointed, should give a coat of pitch to
the roof and wash the statues and prepare a purple robe.’
Public-domain text, read in full here on John Shaqi.
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