"Who is not ashamed to declare that my bosom is as lovely as
the fruit of the pomegranate-tree? By my beauty and grace!
by my eyes and black hair, I swear that any man who repeats
such comparison shall be banished from my presence and
killed by the separation; for if he finds my figure in the
ban-tree and my cheeks in the rose, what then does he seek
in me?"
This girl spoke more profoundly than she knew. Flowers are beautiful
things, but a spot red as a rose on a cheek would suggest the hectic
flush of fever, and if a girl's complexion were as white as a lily she
would be shunned as a leper. In hyperbole the step between the sublime
and the ridiculous is often a very short one; yet the rose and lily
simile is perpetrated by erotic poets to this day.
EYES AND STARS
The eyes are subjected to similar treatment, as in Lodge's lines
Her eyes are sapphires set in snow
Resembling heaven by every wink.
Thomas Hood's Ruth had eyes whose "long lashes veiled a light that had
else been all too bright." Heine saw in the blue eyes of his beloved
the gates of heaven. Shakspere and Fletcher have:
And those eyes, the break of day,
Lights that do mislead the morn!
When Romeo exclaims:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
... her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night,
he excels, both in fancy and in exaggeration, all the ancient poets;
but it was they who began the practice of likening eyes to bright
lights. Ovid declares (_Met._, I., 499) that Daphne's eyes shone with
a fire like that of the stars, and this has been a favorite comparison
at all times. Tibullus assures us (IV., 2) that "when Cupid wishes to
inflame the gods, he lights his torches at Sulpicia's eyes." In the
Hindoo drama _Malati and Madhava_, the writer commits the extravagance
of making Madhava declare that the white of his mistresses eyes
suffuses him as with a bath of milk!
Theocritus, Tibullus ("candor erat, qualem praefert Latonia Luna"),
Hafiz, and other Greek, Roman, and Oriental poets are fond of
comparing a girl's face or skin to the splendors of the moon, and even
the sun is none too bright to suggest her complexion. In the _Arabian
Nights_ we read: "If I look upon the heaven methinks I see the sun
fallen down to shine below, and thee whom I desire to shine in his
place." A girl may, indeed, be superior to sun and moon, as we see in
the same book: "The moon has only a few of her charms; the sun tried
to vie with her but failed. Where has the sun hips like those of the
queen of my heart?" An unanswerable argument, surely!
LOCKS AND FRAGRANCE
Public-domain text, read in full here on John Shaqi.
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