It is hardly necessary to point out that in our Baghdad girl's love-affairs there is no "remoteness from sensations and appetites," no "illumination of the senses by the soul," no "intellectualized emotion," no "thought made affectionate, sympathetic, moral." But there is in it, as I have said, a touch of sentimentality. If sentiment is properly defined as "higher feeling," sentimentality is "_affectation_ of fine or tender feeling or exquisite sensibility." Heartless coquetry, prudery, mock modesty, are bosom friends of sentimentality. While sentiment is the noblest thing in the world, sentimentality is its counterfeit, its caricature; there is something theatrical, operatic, painted-and-powdered about it; it differs from sentiment as astrology differs from astronomy, alchemy from chemistry, the sham from the real, hypocrisy from sincerity, artificial posing from natural grace, genuine affection from selfish attachment. RARITY OF TRUE LOVE Sentimentality, as I have said, precedes sentiment in the history of love, and it has been a special characteristic of certain periods, like that of the Alexandrian Greeks and their Roman imitators, to whom we shall recur in a later chapter, and the mediaeval Troubadours and Minnesingers. To the present day sentimentality in love is so much more abundant than sentiment that the adjective sentimental is commonly used in an uncomplimentary sense, as in the following passage from one of Krafft-Ebing's books (_Psch. Sex_., 9): "Sentimental love runs the risk of degenerating into caricature, especially in cases where the sensual ingredient is weak.... Such love has a flat, saccharine tang. It is apt to become positively ludicrous, whereas in other cases the manifestations of this strongest of all feelings inspire in us sympathy, respect, awe, according to circumstances." Steele speaks in _The Lover_ (23, No. 5) of the extraordinary skill of a poet in making a loose people "attend to a Passion which they never, or that very faintly, felt in their own Bosoms." La Rochefoucauld wrote: "It is with true love as with ghosts; everybody speaks of it, but few have seen it." A writer in _Science_ expressed his belief that romantic love, as described in my first book, could really be experienced only by men of genius. I think that this makes the circle too small; yet in these twelve years of additional observation I have come to the conclusion that even at this stage of civilization only a small proportion of men and women are able to experience full-fledged romantic love, which seems to require a special emotional or esthetic gift, like the talent for music. A few years ago I came across the following in the London _Tidbits_ which echoes the sentiments of multitudes: