"The first element in the art of construction, that is, stability, is
manifested in these latter monuments. They do not come up to the fine
_dolmens_, or to the monuments which followed them, but the principle on
which stones should be laid together is already arrived at. The slab
forming the covering is the first attempt at the lintel, the primitive
base of architectural science. By insensible degrees the dimensions of
the monument increased, the nature of the materials were modified, and,
from the small elementary monument to the grand sepulchral _dolmen_, but
one step remained to be made--a giant step, certainly, but not beyond
the reach of human intelligence.
"This step, however, was not accomplished suddenly and without
transitional stages. We find a proof of this in the beautiful ossuary
discovered in 1863, at Chamant near Senlis (Oise), on the property of
the Comte de Lavaulx. This monument does not yet come up to the most
beautiful of the class; but it possesses all the inspirations which
suggested the form of its successors, of which, indeed, it is the type.
"Almost flat slabs of stone, of a greater height than those forming the
vaults, and of rather considerable dimensions, are placed on edge so as
to form a square chamber. A partition, formed of stones of a similar
character, leaving a space or passage between them, separates the
chamber into two unequal portions. Some arrangement of this kind has
been observed in most of the finest _dolmens_; it is found at a spot not
far from Chamant, in a covered way known under the name of the _Pierres
Turquoises_, in the forest of Carnelle, near Beaumont-sur-Oise
(Seine-et-Oise).
"At Chamant, however, the chamber was not more than 3 to 4 feet in
height under the roof, which was formed of large flat stones, and was
large enough to allow of a considerable number of bodies to be deposited
within it, either in a recumbent or contracted position. Near them there
were placed delicately-wrought flints, and also some fine-polished
hatchets, one of which was of serpentine; another of large dimensions,
sculptured after the fashion of the diluvial hatchets, appeared to me to
have been prepared for polishing.
"The researches which have been made have brought to light but slight
traces of pottery, and the small fragments that I have examined do not
point out any very remote age for this monument. Nevertheless, the
investigation of this sepulchre, in which I was guided by a somewhat
different idea from that of merely studying the monument itself, was not
carried out with the exact care that would be necessary for collecting
all the indications which it might have furnished.
Public-domain text, read in full here on John Shaqi.
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