"Sometimes, indeed, when the archæologist devotes especial care to his
digging, he comes across a kind of layer of wrought flints which are, in
fact, to be looked upon as refuse rather than wrought articles. Their
position appears to indicate the surface of the soil during that epoch,
a surface which has been covered up by the successive deposits of
subsequent ages; and although some of these flakes may have been due to
some of the objects which had been placed in the sepulchre having been
chipped on the spot, there are many others which have not originated in
this way, and have come from objects which have been deposited in other
places.
"All these stones, which are common to three kinds of burial-places,
have fulfilled, in my opinion, a votive function; that is to say, that
they represent, as regards this epoch, the wreaths and coronals of
_immortelles_, or the other objects which we in the present day place
upon the tombs of our relations or friends; thus following out a custom
the origin of which is lost in the night of time.
"And let not the reader treat with ridicule these ideas, which I hold to
be not far from the truth. Men, as individuals, may pass away, and
generations may disappear; but they always hand down to their progeny
and those that succeed them the customs of their epoch; which customs
will undergo little or no change until the causes which have produced
them also disappear. Thus it is with all that concerns the ceremonies
observed in bearing man to his last resting-place--a duty which can
never change, and always brings with it its train of sorrow and regret.
Nowadays, a small sum of money is sufficient to give outward expression
to our grief; but at these remote epochs each individual fashioned his
own offering, chipped his own flint, and bore it himself to the grave of
his friend.
"This idea will explain the diversity of shape in the flints placed
round and in the sepulchres, and especially the uncouthness of many of
the articles which, although all manufactured of the same material,
betray a style of workmanship exercised by numerous hands more or less
practised in the work.
"It may, however, be readily conceived that during an epoch when stones
were the chief material for all useful implements, every wrought flint
represented a certain value. To deprive themselves of these objects of
value in order to offer them to the manes of the dead was considered a
laudable action, just as was the case subsequently as regards still
more precious objects; and this custom, which was observed during many
long ages, although sometimes and perhaps often practised with the
declining energy inherent in every religious custom, was the origin of a
practice adopted by many of the nations of antiquity, that, namely, of
casting a stone upon the tomb of the dead. Thus were formed those
sepulchral heaps of stones called _gal-gals_, some of which still exist.
Public-domain text, read in full here on John Shaqi.
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