Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
General
Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
Japanese literature -- To 1868
[9] According to Lange (_Einf. in d. Jap. Schrift_) the _Katakana_
syllabary did not come into use till towards the close of the eighth
century, and the cursive syllabary (_hiragana_) was first used by
Tsurayuki in his preface to the Kokinshiu (see below), in the beginning
of the tenth century, the approximate date of the Taketori itself.
TAKETORI NO OKINA NO MONOGATARI[10]
MAKI I
KAGUYAHIME OHITACHI
Ima ha mukashi Taketori no Okina to ifu[11] mono arikeri. No yama ni
mazhirite take wo toritsutsu yorodzu no koto[12] ni tsukahikeri[13].
Na wo ba Sanugi no Miyatsuko Maro to namu ihikeru. Sono take no naka
ni moto[14] hikaru take hito suji arikeri. Ayashigarite yorite miru ni
tsutsu no naka hikaritari. Sore to mireba san sun bakari naru hito ito
utsukushiute itari. Okina ifu yau--
‘Ware asa goto yufu goto ni miru tokoro no naka ni ohasuru nite shirinu
ko ni nari-tamafubeki hito nameri’ tote, te ni uchi-irete ihe ni[15]
mochite kinu. Me no ouna ni adzukete yashinahasu. Utsukushiki koto
kagiri naku ito wosanakereba ko ni irete yashinafu.
Taketori no Okina take wo toru koto[16] kono ko wo mitsukete nochi
ni take wo toru ni fushi wo hedatete yo goto ni kogane aru take wo
mitsukuru koto kasanarinu. Kakute Okina yauyau yutaka ni nariyuku.
Kono chigo yashinafu hodo ni sugusugu to ohoki ni narimasaru. Mi tsuki
bakari ni naru hodo[17] ni yoki hodo naru hito ni narinureba kami-age
nado sadashite[18] kami-age-sesase mo gisu. Chiyau[19] no uchi yori
mo idasazu itsuki kashidzuki yashinafu hodo ni kono chigo no katachi
keura[20] naru koto yo ni naku ya no uchi ha kuraki tokoro naku hikari
michitari. Okina kokochi ashiku kurushiki toki mo kono ko wo mireba
kurushiki koto mo yaminu haradatashiki koto mo nagusamikeri.
Okina take wo toru koto hisashiku narinu[21]. Ikihohi-mau no mono ni
nari-ni-keri.
Kono ko ito ohoki ni narinureba na wo ba Mimuroto no Imube no Akita wo
yobite tsukesasu. Akita Nayotake no Kaguyahime to tsuketsu. Konohodo mi
ka uchi uchi-age-asobu yorodzu no asobi wo zo shikeru. Wotoko wouna[22]
kirahazu yobitsudohete[23] ito kashikoku asobu.
MAKI II
TSUMADOHI
Sekai no wonoko atenaru mo iyashiki mo ikade kono Kaguyahime wo yeteshi
gana miteshi gana to oto ni kikimedete madofu. Sono atari no kaki ni mo
ihe no to ni mo woru hito dani tahayasaku mirumazhiki mono wo yaru ha
yasuki imonezu yami no yo ni [idete] mo [ana wo kuzhiri] koko kashiko
yori nozoki kaimami madohi aheri. Saru toki yori namu yobahi to ha
ihikeru.
Hito no monoshi[24] mo senu tokoro madohi arikedomo nani no shirushi
arubeku mo miyezu ihe no hitodomo ni ihamu tote ihikakaredomo
kotahe[25] mo sezu. Atari wo hanarenu kindachi yo wo akashi hi wo
kurasu hito ohakari. Orokanaru[26] hito ha yaunaki[27] ariki ha
yoshi nakarikeri tote kozu nari ni keri. Sono naka ni naho ihikeru
ha irogonomi to iharuru kagiri go nin omohi yamu toki naku yoru hiru
kikeri.
Public-domain text, read in full here on John Shaqi.
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