Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
General
Primitive & Mediaeval Japanese Texts: Transliterated into Roman with introductions, notes and glossaries
Japanese literature -- To 1868
Ihe no kado ni mote itarite tateri. Taketori ide kite tori-irete
Kaguya-hime ni misu. Kaguya-hime kano kahagoromo wo mite ihaku--
‘Uruhashiki kaha nameri wakite makoto no kaha naramu to mo shirazu.’
Taketori kotahete ihaku--
‘Tomare kakumare[123] madzu shiyauzhi ire-tatematsuramu yo no naka
ni mihenu kahagoromo no sama nareba kore wo makoto to omohi-tamahine
hito na itaku wabi-sase-tatematsurase-tamahi so’ to ihite
yobi-suwe-tatematsureri.
Kaku yobi-suwete kono tabi ha kanarazu ahamu to ouna no kokoro ni mo
omohi wori. Kono Okina ha Kaguya-hime no yamome naru wo nagekashikereba
yoki hito ni ahasemu to omohi hakaredomo sechi ni ina to ifu koto
nareba yeshihinu ha kotowari nari.
Kaguya-hime Okina ni ihaku--
‘Kono kahagoromo ha hi ni yakamu ni yakezuba koso makoto naramu to
omohite hito no ifu koto ni mo makenu yo ni naki mono nareba sore wo
makoto to utagahi naku omohamu to notamahe naho kore wo yakite mimu’
to ifu.
Okina ‘sore sa mo iharetari’ to ihite otodo[124] ni kaku namu mausu to
ifu.
Otodo kotahete ihaku--
‘Kono kaha ha Morokoshi ni mo nakarikeru[125] wo karanjite
motome-tadzune yetaru nari nani no utagahi ka aramu sa ha mausu to mo
haya yakite mi-tamabe’
to iheba, hi no naka ni uchi-kubete yakase-tamafu ni meramera to
yakenu. Sareba koso kotomono no kaha narikeri to ifu.
Otodo kore wo mi-tamahite mi kaho ha kusa no ha no iro shite
wi-tamaheri. Kaguya-hime ha ‘Ana ureshi!’ to yorokobite itari. Kano
yomi-tamahikeru uta no kaheshi hako ni irete kahesu
Nagori naku
moyu to shiriseba
kahagoromo
omohi no hoka ni
okite namashi wo!
to zo arikeru. Sareba kaheri imashi ni keri.
Yo no hitobito ‘Abe no Otodo ha hinedzumi no kahagoromo wo mote
imashite Kaguya-hime ni sumi-tamafu to na koko ni ya imasu’ nado tofu
aru hito no ihaku, ‘Kahagoromo ha hi ni kubete yakitarishikaba meramera
to yakenishikaba Kaguya-hime ahi-tamahazu’ to ihikereba kore wo kikite
zo togenaki mono wo ba ‘abenashi’ to ha ihikeru.
MAKI VI
TATSU NO KUBI NO TAMA
Ohotomo no Miyuki no Dainagon ha waga ihe ni ari to aru hito wo
meshi-atsumete, notamahaku--
‘Tatsu no kubi ni go shiki no hikari aru tama anari sore wo torite
tatematsuramu hito ni ha negahamu koto wo kanahemu’
to notamafu.
Wonokodomo ohose no koto wo uketamaharite mausaku--
‘Ohose no koto ha ito mo tafutoshi tadashi kono tama tahayasuku
yetorazhi wo ihamu ya! tatsu no kubi no tama ha ikaga toramu’ to maushi
aheri.
Dainagon notamafu--
‘Kimi no tsukahi to ihamu mono ha inochi wo sutete mo ono ga kimi no
ohose-goto wo ba kanahemu to koso omofubekere[126]! Kono kuni ni naki
Temujiku Morokoshi no mono ni mo arazu kono kuni no umi yama yori tatsu
ha ori noboru mono nari ikani omohite ka namuzhira kataki mono to
mausubeki.’
Wonokodomo mausu yau--
‘Saraba ikaga ha semu kataki mono naritomo ohose-goto ni shitagahite
motome ni makaramu’ to mausu.
Dainagon mi-warahite--Namuzhira kimi[127] no tsukahi to na wo
nagashitsu kimi no ohose-goto wo ba ikaga ha somukubeki
Public-domain text, read in full here on John Shaqi.
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