=kagirohino= (_kagerohi_?), a difficult word. Often written as if meaning _seirei_ or _tombo_ (dragon-fly), it is probably a lengthened form of _kageru_, shine, glitter. Used with _yufu_ (evening--the glow at and after sunset?); _iha_, rock which sparkles when struck; _honoka_, dim, by reference probably to _ho_, flame; _haru_, spring--when the air is fresh, clear and glittering; _kokoro moyetsutsu_, glow of heart; _hi_, flame, sun; _tada hito me_ (just a glance, here the m. k. may have reference to what is seen dimly?), 12, 28, 92, 123. =kajinootono=, sound or splash of oar: used with _tsubaratsubara ni_, clearly, distinctly. =kakihonasu=; see 120, 125--fence-like, not in Kogi list. =kakikazofu=, count over as 1, 2, 3, &c.; used with _futa_, two, in Futakami yama, Twain-gods (or Twain Peak) Hill, 223. =kakikoyuru=, cross over or through the house-fence; used with _inu_, dog, a somewhat meaningless m. k. =kakitsubata=, camellia; used with _nidzurafu_, be ruddy, _saku_, bloom. =kakozhimono=, deer’s-young-like; used with _hitori_, one, unique, 119. =kamozhimono=, wild-duck-like; applied to _uki_, float. =kamukaze=, god-wind; used with Ise where the chief gods have their seat, 172. =karakaji=, this may be Chinese or Korean _kaji_, oar, scull or steer-oar, used with _oto takashi mo na_, loud is the sound (i.e. as that made by the splash of the scull or creak of oar). =karakoromo=, Kara (China or Korea), garment, robe; used with _ki_ (put on) in Kinara, _tatsu_ (cut out clothes) in Tatsuta, _suso_ (hem) combined with _ahazu_--not meeting (as parts of vestment). The use may be by way of quibble. =kariganeno= (_kari_?), white-fronted wild-goose, also cry of same. Its application to _kitsugi_ (84) is not quite clear, perhaps it refers to the regularity of going to see the cherry blossoms with one’s comrades being like the regularity with which the wild-geese return in spring-time. =karikomono=, like cut rushes; used with _midaru_, confused, disordered; with _shinu_ as in _kokoro mo shinu_, the heart yields, becomes weak, &c. =kashinomino=, like acorn which is single always, never double or triple as chestnut; applied to _hitori_, one, unique, 106. =kasumitatsu=, mist-rising; applied to Kasuga (pl. n.), which however is written _haru no hi_, spring day, 4, 9, 33. =katamohino=, like lidless bowl; love deep as the bowl or jar. =kazenotono=, wind-sound; as heard from afar; applied to my love far from me. =kekoromono=, fur or feather vestment; used with _haru_ (spring). Such vestments were worn when hunting, &c., used as m. k. of _asu_, morrow, morning, _kefukefu to_, to-day to-day. =kimigaiheni=, in my lord’s house; _-- aga sumi-saka no_, where _sumi_ written ‘black’, but homophonously to be understood as ‘dwell’, is introduced by a kind of prefatial quibble--wherein I dwell, as in my lord’s house.