Polybius, the Greek historian of the second century B. C., wrote that music softened the manners of the ancient Arcadians, whose climate was rigorous. Whereas the inhabitants of Cynætha (the modern town of Kalavrita) in the Peloponnesus, who neglected this art, were the most barbarous in Greece. Baron de Montesquieu, in "The Spirit of Laws," remarked that as the popular exercises of wrestling and boxing had a natural tendency to render the ancient Grecians hardy and fierce, there was a necessity for tempering those exercises with others, with a view to rendering the people more susceptible of humane feelings. For this purpose, said Montesquieu, music, which influences the mind by means of the corporeal organs, was extremely proper. It is a kind of medium between manly exercises, which harden the body, and speculative sciences, which are apt to render us unsociable and sour. . . . Let us suppose, for example, a society of men so passionately devoted to hunting as to make it their sole employment; they would doubtless contract thereby a kind of rusticity and fierceness. But if they happened to imbibe a taste for music, we should quickly perceive a sensible difference in their customs and manners. In short, the exercises used by the Greeks could raise but one kind of passions, namely, fierceness, indignation, and cruelty. But music excites all these, and is likewise able to inspire the soul with a sense of pity, lenity, tenderness, and love. In a rare work, styled "Reflexions on Antient and Modern Music, with the application to the Cure of Diseases,"[175:1] we find that the custom prevailed, among certain nations of old, of initiating their youth into the studies of harmony and music. Whereby, it was believed, their minds became formed to the admiration and esteem of proportion, order, and beauty, and the cause of virtue was greatly promoted. "Music," moreover, "extends the fancy beyond its ordinary compass, and fills it with the gayest images." Christianus Pazig, in "Magic Incantations," page 29, relates that the wife of Picus, King of Latium, was able by her voice to soothe and appease wild animals, and to arrest the flight of birds. And the French traveller Villamont asserted that crocodiles were beguiled by the songs of Egyptian fishermen to leave the Nile, and allowed themselves to be led off and exposed for sale in the markets.