Thus Monsieur Legué's argument is in no way sustained. The historian may remark, finally, that Madame's daughter, Marie Louise, the young Queen of Spain, died in 1689, almost at the same age as her mother, after drinking a glass of iced milk, and on this occasion also rumours of poison spread abroad. When Charles II, Madame's brother, died somewhat suddenly, there was more talk of poison; and when the granddaughter of Madame, the young and charming Duchess of Burgundy, was stricken with the disease which carried her off, people believed that she too had been poisoned. In earlier days, when Madame's mother, Henrietta Maria of France, widow of Charles I, died on September 10, 1669, at her country house of Colombes, her physician Vallot had been accused of accidentally poisoning her by giving her pills chiefly composed of opium. * * * * * Thanks to the assistance of eminent masters like Professor Brouardel and Dr. Paul Le Gendre, and armed historically with the learned investigations of M. Arthur de Boislisle, we have been fortunate in resuscitating the admirable study of Littré in all its striking accuracy. The great writer concludes with an eloquent page, a hymn of triumph in honour of modern science, 'which might perhaps have kept Madame in that great place she filled so well.' We will end with the same observation that we placed at the end of our study of the Iron Mask,[14] in which we showed how the solution was indicated at least a century ago, and remarked that, in these very problems which are regarded as insoluble, history, handled with rigour and precision, gives conclusions as certain as those of the exact sciences. RACINE AND THE POISONS QUESTION Monsieur Larroumet's book on Racine in the _Grands Ecrivains Français_ series is a charming little work. In the first part he studies the poet's life, and shows very accurately the influence exercised on his art by the _milieu_ in which he lived. In the second part he studies Racine's poetics with great ingenuity. The very style of M. Larroumet, eminently refined and sober--we might call it pearl-grey in tone--with little flaws here and there which, to our mind, enhance its piquancy, is perfectly adapted to the author he is analysing. We get a clear picture of what manner of man Racine was--sensitive and refined, all delicacy and decorum. M. Larroumet, it is well known, excels in bringing vividly before us the dwellings and the furniture of our great writers, according to inventories made after their decease. In the case of Racine he achieves another success, in the happiest manner. His picture of the famous poet's family life, after he had renounced the stage, is delightful:--