Princess Mary's Gift Book: All profits on sale given to the Queen's "Work for Women" Fund which is acting in Conjunction with The National Relief Fund
General
Princess Mary's Gift Book: All profits on sale given to the Queen's "Work for Women" Fund which is acting in Conjunction with The National Relief Fund
English literature; World War, 1914-1918 -- Gift books
So "hope clad in April green" made life worth living for father and
mother; and, as for Fleur-de-lis, she was a child; and she had love, and
that was enough, and it is sad when we grow so old that it does not
suffice for us. But these days, so full of care and anxiety, of
weariness and self-denial tinged with happiness, came to an end; for
when Fleur-de-lis was two years old, Maman Marie, young and strong,
passionately in love with life, desperately needed by husband and
child, had to leave them, to journey on alone to another far country,
having just grown wonted to this.
Then the light went out of the two little rooms that had been home;
indeed, it seemed to go out of the world altogether. Hard times and yet
harder ones descended upon poor Pierre Dupont. Marie's earnings no
longer helped to swell the slender income, and there were no willing
woman's hands to cut and plan and save, to contrive and embellish. Added
to this, the piano suddenly grew uncertain, and subject to grave musical
lapses, attacks of aphasia in the middle of some tunes, and of asthma in
the middle of others; so that the hoot of the stony-hearted bystander
and the ruffianly small boy became familiar to Pierre's ears; for he
could not afford to buy new cylinders to fit into the old instrument,
and to keep it up to the demands of the street, which is always
delighted if you "cannot sing the old songs," and wishes the latest
melody to the exclusion of everything else.
[Illustration]
Fleur-de-lis had been left in the care of a woman for many weeks after
Marie's death, but the sight of her tear-stained face at night, the
tender frenzy with which she lifted her arms to her father when he came
in, the sob of joy with which she buried her head in his coat, the sigh
of content with which she stroked his cheek between every mouthful of
bread and milk as she sat on his knee eating her meagre supper--all this
was too much for his loving heart. He had a small sum of money that he
had been hoarding to attach "Annie Rooney" and "Comrades" to his
unfashionable instrument, that he might appease the public by the
gratification of its darling wishes, and withdraw the Boulanger march
from its sated ears. This money he took and went to a carpenter's shop
in the neighbourhood. After many explanations in his broken English, and
many diagrams rudely drawn on paper, the carpenter succeeded in building
a primitive sort of baby-carriage on one end of the street-piano. It had
two wheels of its own, and moved somewhat in harmony with the ancient
instrument, which had its difficulties of locomotion nowadays, as well
as its musical weaknesses. It had a drawer in which Fleur-de-lis's
playthings were kept--a battered doll, and boxes of her favourite scraps
of bright tissue-paper, the top of an old cotton umbrella, and a square
of rubber cloth like that which covered the piano when it rained. Here
Fleur-de-lis sat for many hours each day, happy and content. Pierre
Public-domain text, read in full here on John Shaqi.
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