That they are truths--that personal affections and aesthetic enjoyments include _all_ the greatest, and _by far_ the greatest, goods we can imagine, will, I hope, appear more plainly in the course of that analysis of them, to which I shall now proceed. All the things, which I have meant to include under the above descriptions, are highly complex _organic unities_; and in discussing the consequences, which follow from this fact, and the elements of which they are composed, I may hope at the same time both to confirm and to define my position. =114.= I. I propose to begin by examining what I have called aesthetic enjoyments, since the case of personal affections presents some additional complications. It is, I think, universally admitted that the proper appreciation of a beautiful object is a good thing in itself; and my question is: What are the main elements included in such an appreciation? (1) It is plain that in those instances of aesthetic appreciation, which we think most valuable, there is included, not merely a bare cognition of what is beautiful in the object, but also some kind of feeling or emotion. It is not sufficient that a man should merely see the beautiful qualities in a picture and know that they are beautiful, in order that we may give his state of mind the highest praise. We require that he should also _appreciate_ the beauty of that which he sees and which he knows to be beautiful--that he should feel and see _its beauty_. And by these expressions we certainly mean that he should have an appropriate emotion towards the beautiful qualities which he cognises. It is perhaps the case that all aesthetic emotions have some common quality; but it is certain that differences in the emotion seem to be appropriate to differences in the kind of beauty perceived: and by saying that different emotions are _appropriate_ to different kinds of beauty, we mean that the whole which is formed by the consciousness of that kind of beauty _together with_ the emotion appropriate to it, is better than if any other emotion had been felt in contemplating that particular beautiful object. Accordingly we have a large variety of different emotions, each of which is a necessary constituent in some state of consciousness which we judge to be good. All of these emotions are essential elements in great positive goods; they are _parts_ of organic wholes, which have great intrinsic value. But it is important to observe that these wholes are organic, and that, hence, it does not follow that the emotion, _by itself_, would have any value whatsoever, nor yet that, if it were directed to a different object, the whole thus formed might not be positively bad. And, in fact, it seems to be the case that if we distinguish the emotional element, in any aesthetic appreciation, from the cognitive element, which accompanies it and is, in fact, commonly thought of as a part of the emotion; and if we consider what value this emotional element would have, _existing