Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
In difficult cases the vehicle of communication must inevitably
be complex. The effect of a word varies with the other words
among which it is placed. What would be highly ambiguous by itself
becomes definite in a suitable context. So it is throughout;
the effect of any element depends upon the other elements present
with it. Even in such shallow communication as is involved in
merely making out the letters in a handwriting this principle
is all-important, and in the deepest forms of communication the
same principle holds good. To this is due the superiority of
verse to prose for the most difficult and deepest communications,
poetry being by far the more complex vehicle. A similar instance
is the increased ambiguity of a monochromatic reproduction as
compared with the original painting. What _difficulty_ of
communication depends upon we have already considered. It should
not be confused with the difficulty of the matter communicated,
although the two are often connected. Some very difficult calculations,
for example, can be communicated with ease. _Depth_ of communication
likewise is not necessarily connected with difficulty. It is
a name for the degree of completeness in the response required.
A glance at the diagram on p. 116 will make this use of the term
clear. Communications involving attitudes are deeper than those
in which references alone are concerned. Abstract and analytic
prose, in fact, depends for its success upon the shallowness
of its draught. It must avoid any stirring of the emotions lest
its required distinctions become obscured.
[56] The very strange and important phenomena of apparent telepathy,
and the feats of some ‘psychometrists’ and ‘clairvoyants’, although
they may call for a great extension of our ideas as to how minds
influence one another, do not require any such desperate devices
as transference of, or participation in, _identical_ experiences.
If they did, the possibility of investigating them by the only
technique with which anything has ever been successfully investigated
would be remote. On any ‘identity’ or ‘participation’ theory,
communication becomes an ineffable and irremovable mystery. There
may, of course, be any number of strange events occurring about
which we cannot know, but to discuss such events is unprofitable.
CHAPTER XXII
The Availability of the Poet’s Experience
That he is the wisest, the happiest and the best, inasmuch
as he is a poet, is equally incontrovertible; the greatest poets
have been men of the most spotless virtue, of the most consummate
prudence, and, if we would look into the interior of their lives,
the most fortunate of men.—_The Defence of Poetry_.
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