Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
Finer adjustment, clearer and more delicate accommodation or
reconciliation of impulses in any one field tends to promote
it in others. A step in mathematical accomplishment, other things
being equal, facilitates the acquisition of a new turn in ski-ing.
Other things are rarely equal it should perhaps be remarked.
If this is true even of such special narrowly restricted impulses
as are involved in a scientific technique, it is far more evident
when the major, the most widespread systems, those active in
our responses to human beings and to the exigences of existence,
are engaged.
There is abundant evidence that removal of confusion in one sphere
of activity tends to be favourable to its removal elsewhere.
The ease with which a trained mind approaches a new subject is
the plainest example, but equally a person whose ordinary emotional
experience is clear, controlled and coherent, is the least likely
to be thrown into confusion by an unheard-of predicament. Complications
sometimes obscure this effect: a mathematician approaching psychology
may attempt to apply methods which are inappropriate, and the
sanest people may prove stupid in their dealings with individuals
of other races. The specialist, either intellectual or moral,
who is helpless outside his own narrow field is a familiar figure
in inferior comedy. But what would have to be shown before the
principle is invalidated is that, granted equal specialisation,
the successful specialist is not better fitted for life in general
than his unsuccessful _confrère_. Few people, however, will
dispute the assertion that transference of ability frequently
occurs although the mode by which it comes about may be obscure.
When very widespread and very fundamental impulses are implicated,
where attitudes constantly taken up in ordinary life are aroused,
this transference effect may be very marked. Everybody knows
the feeling of freedom, of relief, of increased competence and
sanity, that follows any reading in which more than usual order
and coherence has been given to our responses. We seem to feel
that our command of life, our insight into it and our discrimination
of its possibilities, is enhanced, even for situations having
little or nothing to do with the subject of the reading. It may
be a chapter of _Gösta Berling_ or of _The ABC of Atoms_,
the close of the _Vanity of Human Wishes_, or the opening
of _Harry Richmond_; whatever the differences the refreshment
is the same. And conversely everybody knows the diminution of
energy, the bafflement, the sense of helplessness, which an ill-written,
crude, or muddled book, or a badly acted play, will produce,
unless the critical task of diagnosis is able to restore equanimity
and composure.
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