Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
the identification of the mind with a part of the working of
the nervous system, need involve, theology apart, no disturbance
of anyone’s attitude to the world, his fellow-men, or to himself.
Theology, however, is still more implicit in current attitudes
than traditional sceptics suspect.
The nervous system is the means by which stimuli from the environment,
or from within the body, result in appropriate behaviour. All
mental events occur in the course of processes of adaptation,
somewhere between a stimulus and a response. Thus every mental
event has an origin in stimulation, a character, and consequences,
in action or adjustment for action. Its character is sometimes
accessible to introspection. What it feels like, in those cases
in which it feels or is felt at all, is consciousness, but in
many cases nothing is felt, the mental event is unconscious.
Why some events are conscious but not others is at present a
mystery; no one has yet succeeded in bringing the various hints
which neurology may offer into connection with one another. In
some important respects conscious and unconscious mental events
must differ, but what these are no one can as yet safely conjecture.
On the other hand there are many respects in which they are similar,
and these are the respects which are at present most open to
investigation.
The process in the course of which a mental event may occur,
a process apparently beginning in a stimulus and ending in an
act, is what we have called an impulse. In actual experience
single impulses of course never occur. Even the simplest human
reflexes are very intricate bundles of mutually dependent impulses,
and in any actual human behaviour the number of simultaneous
and connected impulses occurring is beyond estimation. The simple
impulse in fact is a limit, and the only impulses psychology
is concerned with are complex. It is often convenient to speak
as though simple impulses were in question, as when we speak
of an impulse of hunger, or an impulse to laugh, but we must
not forget how intricate all our activities are.
To take the stimulus as a starting-point is in some ways misleading.
Of the possible stimuli which we might at any moment receive,
only a few actually take effect. Which are received and which
impulses ensue depends upon which of our interests is active,
upon the general set, that is, of our activities. This is conditioned
in a large degree by the state, of satisfaction or unrest, of
the recurrent and persistent needs of the body. When hungry and
when replete we respond differently to the stimulus of a smell
of cooking. A change in the wind unnoticed by the passengers
causes the captain to reduce sail. Social needs in this respect
are often as important as individual. Thus some people walking
in a Gallery with friends before whom they wish to shine will
actually receive far more stimulus from the pictures than they
would if by themselves.
Public-domain text, read in full here on John Shaqi.
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