Prisoners of Hope: A Tale of Colonial VirginiaJohnston, Mary
History
Prisoners of Hope: A Tale of Colonial Virginia
Johnston, Mary
Virginia -- History -- Colonial period, ca. 1600-1775 -- Fiction
"Then a man gets tired of working for another man, and hankers for the
time when he can set up for himself, especially if there's a pretty girl
waiting for him." A tremendous sigh. "And then there's the fun of the
rising. Losh! a man must break loose now and then!"
"For all of which good reasons you have become a conspirator?"
"Ay, it doesn't pay to run away. You are hunted to death in the first
place, and well nigh whipped to death if you are caught, as you always
are. And then they double your time. This promises better."
"If it succeeds."
"Oh, it will succeed! Why shouldn't it with old Godwyn, who is more
cunning than a red fox or a Nansemond medicine-man, at its head?
Besides, if it fails, hanging is the worst that can happen, and we will
have had the fun of the rising."
"You are a philosopher."
"What's that?"
"A wise man. Tell me: If this plot remains undiscovered, and the rising
actually takes place, there will be upon each plantation before we can
get away an interval of confusion and perhaps violence. 'Tis then that
the greatest danger will threaten the planters and their families. You
yourself have no ill feeling towards your master or his family? You
would do them no unprovoked mischief?"
The boy opened his big blue eyes, and shook his head in a vehement
negative.
"Lord bless your soul, no!" he cried. "I wouldn't hurt a hair of
Mistress Patricia's pretty head, nor of Mistress Lettice's wig, neither.
As for the master, if he lets us go peaceably, we'll go with three
cheers for him! Bless you! they're safe enough!"
The sanguine youth next announced that he smelt bacon frying, and that
his stomach cried "Trencher!" and started off in a lope for the
quarters, now only a few yards distant. Landless followed more sedately,
and reached his cabin without being observed by the overseer.
CHAPTER XII
A DARK DEED
Public-domain text, read in full here on John Shaqi.
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