Fresh from such experience, and with the memory of home and work room,
manufactory or great shop, all alike sombre and depressing, the
cleanliness of Paris, enforced by countless municipal regulations, is at
first a constant surprise. The French workwoman, even of the lowest
order, shares in the national characteristic which demands a fair
exterior whatever may be the interior condition, and she shares also in
the thrift which is equally a national possession, and the exercise of
which has freed France from the largest portion of her enormous debt.
The English workwoman of the lowest order, the trouser-stitcher or
bag-maker, is not only worn and haggard to the eye, but wears a uniform
of ancient bonnet and shawl, both of which represent the extremity of
dejection. She clings to this bonnet as the type and suggestion of
respectability and to the shawl no less; but the first has reached a
point wherein it is not only grotesque but pitiful, the remnants of
flowers and ribbons and any shadowy hint of ornamentation having long
ago yielded to weather and age and other agents of destruction. The
shawl or cloak is no less abject and forlorn, both being the badge of a
condition from which emergence has become practically impossible. These
lank figures carry no charm of womanhood,--nothing that can draw from
sweater or general employer more than a sneer at the quality of the
labor of those waiting always in numbers far beyond any real demand,
until for both the adjective comes to be "superfluous," and employer and
employed alike wonder why the earth holds them, and what good there is
in an existence made up simply of want and struggle.
Precisely the opposite condition holds for the French worker, who, in
the midst of problems as grave, faces them with the light-heartedness of
her nation. She has learned to the minutest fraction what can be
extracted from every centime, and though she too must shiver with cold,
and go half-fed and half-clothed, every to-morrow holds the promise of
something better, and to-day is thus made more bearable. She shares too
the conviction, which has come to be part of the general faith
concerning Paris, which seems always an embodied assurance, that sadness
and want are impossible. Even her beggars, a good proportion of them
laboriously made up for the parts they are to fill, find repression of
cheerfulness their most difficult task, and smile confidingly on the
sceptical observer of their methods, as if to make him a partner in the
encouraging and satisfactory nature of things in general. The little
seamstress who descends from her attic for the bread with its possible
salad or bit of cheese which will form her day's ration, smiles also as
she pauses to feel the thrill of life in the thronging boulevards and
beautiful avenues, the long sweeps of which have wiped out for Paris as
a whole everything that could by any chance be called slum.
Public-domain text, read in full here on John Shaqi.
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