political economists, while the women themselves have no thought of
organization or of any method of bettering general conditions, beyond
the little societies to which some of the ordinary workers belong, and
which are half religious, half educational, in their character. As a
rule, these are for the lower ranks of needlewomen, but necessity will
compel something more definite in form for the two classes we have been
considering, as well as for those below them, and the time approaches
when this will be plain to the workers themselves, and some positive
action take the place of the present dumb acceptance of whatever comes.
CHAPTER XVIII.
A SILK-WEAVER OF PARIS.
"No, madame, there is no more any old Paris. The Paris that I remember
is gone, all gone, save here and there a corner that soon they will pull
down as all the rest. All changes, manners no less than these streets
that I know not in their new dress, and where I go seeking a trace of
what is past. It is only in the churches that one feels that all is the
same, and even with them one wonders why, if it is the same, fewer and
fewer come, and that men smile often at those that enter the doors, and
would close them to us who still must pray in the old places. Is there
that consolation for the worker in America, madame? Can she forget her
sorrow and want at a shrine that is holy, and feel the light resting on
her, full of the glory of the painted windows and the color that is joy
and rest? Because, if there had not been the church, my St. Etienne du
Mont, that I know from a child, if there had not been that, I must have
died. And so I have wondered if your country had this gift also for the
worker, and, if it has not bread enough, has at least something that
feeds the soul. Is it so, madame?"
Poor old Rose, once weaver in silk and with cheeks like her name,
looking at me now with her sad eyes, blue and clear still in spite of
her almost seventy years, and full of the patience born of long struggle
and acceptance! St. Etienne had drawn me as it had drawn her, and it was
in the apse, the light streaming from the ancient windows, each one a
marvel of color whose secret no man to-day has penetrated, that I saw
first the patient face and the clasped hands of this suppliant, who
prayed there undisturbed by any thought of watching eyes, and who rose
presently and went slowly down the aisles, with a face that might have
taken its place beside the pictured saints to whom she had knelt. Her
_sabots_ clicked against the pavement worn by many generations of feet,
and her old fingers still moved mechanically, telling the beads which
she had slipped out of sight.
Public-domain text, read in full here on John Shaqi.
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