"That is a fancy that has rest when the days are long, and the sound of
the mill in my ears, and the beat of the machines, that I feel sometimes
are cruel, for one can never stop, but must go on always. I think in
myself, as I see the children, that I shall never let mine stand with
them, and indeed there is no need, since we are all earning, and there
is money saved, and this is all true for long. The children are come.
Three boys are mine; two with Armand's eyes, and one with mine, whom
Armand loves best because of this, but seeks well to make no difference,
and we call him Etienne for my saint and my church. And, madame, I think
often that more heaven is in him than we often know, and perhaps because
I have prayed always under the window where the lights are all at last
one glory, and the color itself is a prayer, Etienne is so born that he
must have it, too. I take him there a baby, and he stretches his hands
and smiles. He does not shout like the others, but his smile seems from
heaven. He is an artist. He draws always with a bit of charcoal, with
anything, and I think that he shall study, and, it may be, make other
beautiful things that may live in a new St. Etienne, or in some other
place in this Paris that I love; and I am happy.
"Then comes the time, madame, that one remembers and prays to forget,
till one knows that it may be the good God's way of telling us how wrong
we are and what we must learn. First it is Armand, who has become
revolutionary,--what you call to-day communist,--and who is found in
what are called plots, and tried and imprisoned. It was not for long. He
would have come to me again, but the fever comes and kills many; he dies
and I cannot be with him,--no, nor even see him when they take him to
burial. I go in a dream. I will not believe it; and then my father is
hurt. He is caught in one of those machines that my mother so hates, and
his hand is gone and his arm crushed.
"Now the children must earn. There is no other way. For Armand and
Pierre I could bear it, since they are stronger, but for Etienne, no. He
comes from school that he loves, and must take his place behind the
loom. He is patient; he says, even, he is glad to earn for us all; but
he is pale, and the light in his eyes grows dim, save when, night and
morning, he kneels with me under my window and feels it as I do.
Public-domain text, read in full here on John Shaqi.
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