"In the Rue Jeanne d'Arc we are all hungry, and it is as true to-day,
yes, more true, than in the days when I was young. The charitable, who
give more and more each year in Paris, will not believe there is such a
quarter, but for us, we know. Have you seen the Rue Jeanne d'Arc,
madame? Do you know what can be for this Paris that is so fair?"
This question came in the square before old Notre Dame, still the church
of the poor, its gray towers and carved portals dearer to them than to
the Paris which counts the Madeleine a far better possession than this
noblest of all French cathedrals. Save for such reminder this quarter
might have remained unvisited, since even philanthropic Paris appears to
have little or no knowledge of it, and it is far beyond the distance to
which the most curious tourist is likely to penetrate.
On by the Halle aux Vins, with its stifling, fermenting, alcoholic
odors, and then by the Jardin des Plantes, and beyond, the blank walls
of many manufactories stretching along the Seine,--this for one shore.
On the other lies La Rapee, with the windows of innumerable wine shops
flaming in the sun, and further on, Bercy, the ship bank of the river,
covered with wine-casks and a throng of drays and draymen; of
_debardeurs_, whose business it is to unload wood or to break up old
boats into material for kindling; and of the host whose business is on
and about the river.
They are of the same order as the London Dock laborers, and, like the
majority of this class there and here, know every extremity of want. But
it is a pretty picture from which one turns from the right, passing up
the noisy boulevard of the Gare d'Orleans, toward the quarter of the
Gobelins. This quarter has its independent name and place like the "City
of the Sun." Like that it knows every depth of poverty, but, unlike
that, sunshine and space are quite unknown. The buildings are piled
together, great masses separated by blind alleys, some fifteen hundred
lodgings in all, and the owner of many of them is a prominent
philanthropist, whose name heads the list of directors for various
charitable institutions, but whose feet, we must believe, can hardly be
acquainted with those alleys and stairways, narrow, dark, and foul. The
unpaved ways show gaping holes in which the greasy mud lies thick or
mingles with the pools of standing water, fed from every house and
fermenting with rottenness.
Public-domain text, read in full here on John Shaqi.
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