Prisoners of War in Britain 1756 to 1815: A record of their lives, their romance and their sufferingsAbell, Francis
History
Prisoners of War in Britain 1756 to 1815: A record of their lives, their romance and their sufferings
Abell, Francis
Military prisons -- Great Britain; Prisoners of war -- Great Britain; Prisons -- Great Britain
After a time the prisoners were taken on board British ships, and
learned that their destination was an English prison—perhaps the dreaded
hulks!
Gille was on board the _Britannia_. Let me tell the effect of the change
in his own words, they are so gratifying:
‘Aux traitements cruels des féroces Espagnols succédaient tout à coup
les soins compatissants des soldats et matelots anglais; ces braves gens
nous témoignaient toutes sortes d’égards. Ils transportèrent à bras
plusieurs de nos camarades malades ou amputés. Les effets qui nous
appartenaient furent aussi montés par leurs soins, sans qu’ils nous
laissaient prendre la peine de rien.’
On board there were cleanliness and space, good food for officers and
men alike, and plenty of it, the allowance being the same for six
prisoners as for four British. Rum was regularly served out, and Gille
lays stress on a pudding the prisoners made, into the composition of
which it entered.
They duly reached Plymouth; the beautiful scenery impressed Gille, but
he was most astonished when the market-boats came alongside to see
fish-women clothed in black velvet, with feathers and flowers in their
hats!
Thence to Portsmouth, where they got a first sight of the hulks, which
made Gille shudder, but he was relieved to learn that he and his fellows
were destined for a shore prison.
On September 28, 1810, they arrived at Portchester. Here they were
minutely registered, and clothed in a sleeved vest, waistcoat, and
trousers of yellow cloth, and a blue and white striped cotton shirt, and
provided with a hammock, a flock mattress of two pounds weight, a
coverlet, and tarred cords for hammock lashings.
Gille gives much interesting detail about the theatre. The Agent,
William Patterson, found it good policy to further any scheme by which
the prisoners could be kept wholesomely occupied, and so provided all
the wood necessary for the building of the theatre, which was in charge
of an ex-chief-machinist of the Théâtre Feydau in Paris, Carré by name.
He made a row of boxes and a hall capable of holding 300 people, and
thoroughly transformed the base story of the keep, which was unoccupied
because prisoners confined there in past times had died in great
numbers, and the authorities deemed it unwholesome as a sleeping-place.
Public-domain text, read in full here on John Shaqi.
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