Prisoners of War in Britain 1756 to 1815: A record of their lives, their romance and their sufferingsAbell, Francis
History
Prisoners of War in Britain 1756 to 1815: A record of their lives, their romance and their sufferings
Abell, Francis
Military prisons -- Great Britain; Prisoners of war -- Great Britain; Prisons -- Great Britain
This increasing intimacy between the prisoners and the inhabitants
displeased the Government, and the crisis came when, in return for the
kindness shown them, the prisoners determined to erect a theatre:
‘The French prisoners were suffered to play only once in their theatre,
and then the rout came for them. Amidst loud and sincere lamentation
from all concerned, the officers were summarily removed in a body, and
deposited in a town at some distance ... from their former guardians. As
a final _gage d’amitié_ ... the owners of the theatre left it a a gift
to the town.’
Later—in the ‘thirties—this theatre was annexed to the Grammar School to
make extra class-rooms, for it was an age when Scotland was opposed to
theatres.
KELSO[14]
For some of the following notes, I am indebted to the late Mr. Macbeth
Forbes, who helped me notably elsewhere, and who kindly gave me
permission to use them.
Some of the prisoners on parole at Kelso were sailors, but the majority
were soldiers from Spain, Portugal, and the West Indies, and about
twenty Sicilians. The inhabitants gave them a warm welcome, hospitably
entertained them, and in return the prisoners, many of whom were men of
means, gave balls at the inns—the only establishments in these
pre-parish hall days where accommodation for large parties could be
had—at which they appeared gaily attired with wondrous frills to their
shirts, and white stockings.
‘The time of their stay’, says Mr. Forbes, ‘was the gayest that Kelso
had ever seen since fatal Flodden.’
Here as elsewhere there were artists among them who painted miniatures
and landscapes and gave lessons, plaiters of straw and manufacturers of
curious beautiful articles in coloured straw, wood-carvers, botanists,
and fishermen. These last, it is said, first introduced the sport of
catching fish through holes in the ice in mid-winter. Billiards, also,
are said to have been introduced into Scotland by the prisoners. They
mostly did their own cooking, and it is noted that they spoiled some of
the landladies’ tables by chopping up frogs for fricassees. They bought
up the old Kelso ‘theatre’, the occasional scene of action for wandering
Thespians, which was in a close off the Horse-Market, rebuilt and
decorated it, some of the latter work still being visible in the ceiling
of the ironmongery store of to-day. One difficulty was the very scanty
dressing accommodation, so the actors often dressed at home, and their
passage therefrom to the theatre in all sorts of garbs was a grand
opportunity for the gibes of the youth of Kelso. Kelso was nothing if
not ‘proper’, so that when upon one occasion the postmistress, a married
woman, was seen accompanying a fantastically arrayed prisoner-actor to
the theatre from his lodging, Mrs. Grundy had much to say for some time.
On special occasions, such as when the French play was patronized by a
local grandee like the Duchess of Roxburgh, the streets were carpeted
with red cloth.
Public-domain text, read in full here on John Shaqi.
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