Prisons and Prayer; Or, a Labor of LoveWheaton, Elizabeth Ryder
Religion
Prisons and Prayer; Or, a Labor of Love
Wheaton, Elizabeth Ryder
Evangelistic work; Prisons
About three o'clock yesterday afternoon two women, one quite
elderly and the other about 25 years of age, whose dress and
demeanor bespoke them to be missionaries, walked into the
sheriff's office and asked Jailer Leckie if they might hold a
short religious service in the county jail. The urbane jailor
replied that he thought "a little prayin' wouldn't do them coves
any harm," but they were eating and couldn't be interrupted for
ten or fifteen minutes.
"Then we'll wait," said Mrs. Wheaton, laying her black shawl
aside and taking a seat, in which she was followed by her sister
evangelist.
"Perhaps you would like to know who we are," said the elder of
the two women to a reporter who happened to be present. "Here is
my card," and she handed over a small piece of pasteboard on
which was printed with a rubber stamp, "Elizabeth R. Wheaton,
Prison Evangelist. Jesus is Coming Soon; Prepare to Meet Thy
God."
"That will tell who I am," continued the evangelist....
"Criminals and fallen women are the ones I try to reach. I would
rather try to save a murderer or fallen woman than your smooth,
respectable hypocrites, every time. Mary and I have just come
through from san Francisco." * * *
At this moment Jailer Leckie announced that the prisoners were
through eating, and the two women went below to pray with them.
The younger woman held back, saying that she was afraid some of
her old associates might be there, but she was urged on by her
protector and a few minutes later the words of "Nearer My God to
Thee," from two female voices, came floating through the prison
bars. The prisoners gave them respectful hearing, and one or two
seemed to be affected by the earnest words of counsel that fell
from the lips of the evangelist. Later in the evening they held
street services for the benefit of the workingmen near the Armory
and relief tents.
BECAME A PREACHER.
Public-domain text, read in full here on John Shaqi.
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