Mrs. Mallory said she supposed it was Mr. Spenceley’s own business;
he ought to know best whether he were able to give balls at such a
time. He could not put off his daughter’s twenty-first birthday for an
indefinite time.
‘No,’ said Sebastian, ‘and that is just what makes the whole affair
such a melancholy farce. His daughter is very anxious not to have any
ball. She told me so, and nearly cried with vexation about it.’
Mrs. Mallory made no reply, and Sebastian, saying he had a meeting to
attend, went out.
Hugo was that afternoon in one of his oft-recurring idle moods, and
wandered about, apparently not knowing what to do with himself. He was
anticipating the ball eagerly enough, having extracted from Helena the
promise of no less than three waltzes--less of a distinction than he
imagined, perhaps, since Helena, in granting them, had been thinking
chiefly of escaping from the defective dancing and fatuous remarks of
the Thanshope young men, amongst whom she enjoyed what she considered
a fatal popularity. She had wondered whether to keep any dances for
Sebastian. Would he ask her to dance at all?
‘Of course he will!’ she thought, ‘as a matter of duty, and I think I
shall fill up my programme, and show it him without any comment when he
asks me. Then he will raise his eyebrows in that way I hate, and make
a little bow, and smile a little smile, and remark, “I see I am indeed
too late;” and stand on one side, perfectly content not to dance, since
the nicest girl he ever knew is not there.’
But these workings of the feminine mind could not possibly be known
to Hugo, who was only aware that he had received an indulgent smile
and a pleasant glance from Helena’s dark eyes, as she protested a
little against the three waltzes, but yielded in the end. He repaired
to the drawing-room, and, with characteristic fitfulness, spent the
whole afternoon in playing waltzes, good, bad, and indifferent, of
every kind and from every source he could think of. Waltz after waltz
flowed from his rapid fingers. Gung’l and Strauss, Beethoven, Mozart,
Schubert--ancient and modern composers, good and bad ones, were laid
under contribution, till his whole being seemed a waltz, and he was
in a state of highly strung nervous excitement and anticipation, with
which mingled the memories of past waltzes with partners of a bygone
day. Hugo felt his whole soul penetrated with music, melody, and
happiness as he sat in the shady corner of the drawing-room and saw the
sun stream warmly in at the side window. He felt life that afternoon
very full and rich and delicious, and crowded with sweet and grand
possibilities. He felt at harmony with all the world, and was sure it
was a good place to live in.
He had just finished the solemn, passionate strains of a waltz of
Beethoven’s, and still his fingers lingered on the keys, and still his
ears drank in the glorious notes, when the door opened and Mrs. Mallory
came into the room.
Public-domain text, read in full here on John Shaqi.
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