As the tenth dance was about to begin, he saw Fred make some excuse to
the lady whom he was leading to the ball-room; heard the words, ‘Very
sorry--back in a minute.’ The young lady was put on a cushioned bench
beside the wall, and Fred quickly departed, with a look of resolution
on his face. Sebastian, with Helena on his arm, looked after Spenceley.
He was going upstairs. Mallory, throughout all the dance, could not
keep himself from wondering what was taking place in one of those upper
rooms. What confession, or what revelation? Were things very bad? Was
the crisis a very critical one?
‘You have become perfectly silent, Mr. Mallory--not to say morose,’
remarked Helena. ‘And when I was dancing with Hugo, I saw you looking
in upon us with a sort of glare. What is the matter?’
‘Oh, nothing! Miss Spenceley, when did you last see your father?’
‘This morning, quite early: you know we have breakfast at eight,
because we are business people. He gave me these pearls that I have
on for a birthday present, and though I would much rather have had
no presents, they were so beautiful, and I am so weak, that I was in
ecstasies with them. But papa said he had very important business in
Liverpool, and he might have to go to Manchester too. Still, he is very
late,’ she added, as they began to dance again.
The waltz was over. Every one was streaming into the supper-room;
Helena, with Sebastian, remained in the ball-room, watching the people
out, to see that all went, when voices made themselves heard: young men
were calling out, ‘I say, Spenceley!’--‘Where’s Fred?’--‘Who’s to sit
where?’--‘Fred, Mrs. Spenceley wants to ask you something.’
‘Where can Fred be?’ exclaimed Helena, craning her neck to look round.
‘It is very strange in him to go away just now, when he ought to be
seeing after things.’
They were standing beside a door of the ball-room; not that leading
into the hall, but one which opened into a passage leading to the
billiard-room, and thence to the kitchen regions and offices. Almost
as Helena spoke, the door was suddenly opened, and a young woman
appeared, with frightened face, and widely distended eyes, who, seeing
Helena, began, after the manner of her kind, to wring her hands, and
exclaim, in much agitation,
‘Oh, Miss Spenceley! Where’s missis? Oh, how dreadful! Oh!’
‘What is the matter?’ demanded Helena in a clear, decided voice.
‘Oh--master, m’! He’s----’
‘Stop!’ said Sebastian, suddenly and sternly, as he took the girl’s
arm, and gave it a little shake, to restore her to her senses. ‘Don’t
make such a noise! Miss Spenceley, wait here a moment. Come here!’
he added to the girl--one of the housemaids--as he drew her into the
passage, and closed the door. ‘Now, what is the matter? Your master has
returned. I saw him. Is he ill?’
‘Oh, sir,’ she said, with an hysterical sob, ‘he’s dead! He’s lying on
the sofa in his room, and----’
‘Dead!’ repeated Sebastian, and he knew in a moment what it meant.
‘Where is Mr. Fred? Is he with him?’
Public-domain text, read in full here on John Shaqi.
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