‘Miss Spenceley, have you forgotten me? Won’t you look at me?’ She
started violently from her stooping attitude, and, leaving the
recalcitrant Jacky to his fate, at last turned to him.
‘Mr. Mallory, I--I--how you surprised me!’ she stammered, looking at
first so pale and startled that he was surprised.
He was shocked too, after the first glance, at the change, the sad,
mournful change, in her face.
‘You do know me again,’ he said; ‘at least you might shake hands with
me. I fear you are not pleased to renew our acquaintance.’
He had taken her hand, and as his fingers touched hers, Helena’s
paleness fled, and crimson dyed her cheeks. Tears rushed to her eyes;
her lips opened, but she did not speak. His eyes were still fixed
upon her face; he could not remove them; he did not realise that his
prolonged gaze distressed her. He felt unaccountably glad to meet her,
pleased, excited, light-hearted, as if he had a great deal to say to
her and ask her. He forgot all about his engagements--about returning
to the station, or going home; he wanted to talk to her, to hear her
speak, to find out all about her.
The colour gradually died out of her cheeks, and then became again
apparent the change these two years had wrought in her. She was thin,
decidedly thin, compared with the full if delicate beauty of past days;
there were hollows in her cheeks, and under her great dark eyes; there
was a painful line about her lips, and a melancholy, which looked
as if it were settled, in her expression. She looked, what he had
never thought she could look, patient and subdued--not the impulsive,
fiery-hearted girl whom he had known and teased and quarrelled with.
Her dress, he also saw, was sadly altered. Helena had always had a
weakness for splendid things: she delighted in a rich colour, a soft
silk, a sheeny satin--in all kinds of luxurious, and beautiful, and
fashionable things. Formerly people used to laugh at this weakness.
Other girls, whose fathers had not been so rich as Mr. Spenceley, used
to turn up their noses, and say that she was vulgarly ostentatious;
that it was exceedingly bad taste in a girl to dress herself as
splendidly as a dowager, and so on. In truth, it had been no bad
taste at all. The splendour was part of her nature--one phase of her
individuality; it belonged to her as much as her queenly shape and
melodious voice.
But now--there was no splendour in that dress, of poor material and
last year’s fashion. The silk mantle had been handsome once--perhaps it
was a relic of palmier days; now its shape was antiquated, and it was
too good for the poorness of the rest of the toilette. The glove on the
hand, which Sebastian still continued to hold, had been often mended.
Helena looked what she used to have the strongest objection to--poor,
shabby, and unprosperous, her good looks faded----
But not gone. No. Sebastian, staring on in the same rude and
reprehensible manner, satisfied himself that her beauty was only
clouded over, not vanished.
Public-domain text, read in full here on John Shaqi.
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