‘DEAR HEYWOOD--I am glad to find there is something you seem to
care much about, outside business. Since Miss Blisset is leaving
Stonegate, I could have no other tenant so desirable as you, and I
assure you applications have not flowed in with the rapidity you
seem to think. You are at liberty to take possession as soon as she
vacates, which I suppose will be in a few days from now. It is not
a residence which I should have exactly chosen out from amongst all
others, but _chacun à son goût_.--Yours truly,
‘S. M.’
Myles carried this note about with him in his breast-pocket, as if it
had been a magic talisman. He studiously adhered to his resolution not
to go near Blake Street till the three days of which Brandon had spoken
should have elapsed, but the shadow of the deserted house ‘haunted him
like a passion’--a longing, intense and increasing, concentrated his
thoughts upon that ‘house, and heath, and garden,’ the ‘phantoms’ of
which had been ‘so dear to him erewhile.’
Not until the fourth evening after this interview with Brandon did he
again take his way along the familiar street.
It was even such an evening as that earlier one. The air was mild, the
sun, now declining, had been bright--all nature smiled. It was growing
dusk as he drew near the house. Why was his heart so low? Why had he
such a great sensation of loneliness--of being cast adrift? Why did sad
words of a sad song ring in his ears, and seem to be borne in whispers
to him with each breath of wind--
‘Away! away! to thy sad and silent home!
Pour bitter tears on its desolated hearth!
Watch the dim shades, as like ghosts they go and come,
And complicate strange webs of melancholy mirth.’
‘The leaves of wasted autumn woods shall fall about thine head,
The blooms of dewy spring shall gleam beneath thy feet,
But thy soul or this world must fade in the frost that binds the
dead,
Ere midnight’s frown and morning’s smile, ere thou and peace may
meet.’
He felt the idea dreadfully prophetic; he felt as if that were the fate
he had selected for himself, as he at last rested his arms upon the
homely wicket of that lonesome abode, and looked towards the front of
the house.
He was prepared for closed shutters, melancholy wisps of straw and
scraps of paper, doors bolted and barred--such as mark, with a brand
not to be mistaken, the deserted house. What he beheld was an open door
and an open window--the window to the right hand; he could see that the
hall was stripped of its fittings, that the windows were curtainless,
but the house was not empty--as yet, its hearth was not ‘desolated.’
Public-domain text, read in full here on John Shaqi.
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