With marriage came the feeling of an insufficiency of means, and the
desire to augment them led him into business speculations of a nature
which he did not in the least understand: the bubble burst, and Adrian
Blisset found himself a ruined man in less than a year after his
marriage. Adrienne’s mother died at her birth; the girl had never known
that holy bond, however much she might have longed for it. Her father
chose to lay part of the cause of his wife’s death to the anxiety
induced by his extravagance and folly--moreover, he had adored her, and
from the hour of her death he had been a changed man. He had his own
living and that of his child to gain, but he settled nowhere. His life
became nomadic. He and the little one did not sojourn long in the tents
of any particular tribe. Scarce a city or a town of any importance in
Europe, but had sheltered the unconscious head of the infant, or been
trodden by the child’s uncertain feet, or by the sedate step of the
maiden, careworn before her time, while she knew intimately many an
out-of-the-way nook, unnamed by Murray, Bradshaw, or Baedeker, amongst
Italian hills, deep in the sunny lands of France, Thüringian woods and
slopes, or sleepy red-roofed Rhenish hamlets.
A restless ghost drove the musician with his child and his violin
hither and thither, never permitting him to stay long in any one place
and gather substance; but ever, so soon as the novelty had worn off,
seeming to drive him forth on a fresh search after--what? Adrienne had
learnt at an early age to ask herself that question, and sorrowfully to
give up the answer.
Sometimes he was in funds, when he showered all kinds of presents upon
her, and called her his dear child, his _Herzallerliebste_; but oftener
they were plunged in poverty, sore, sordid, dreadful poverty. His moods
varied distressingly, from kindness that had in it something fitful and
sinister, up to the dark melancholy silence which was his most frequent
humour. He was proud, and his pride was of a touchy and intractable
kind; it offended men of business, and estranged friends and pupils.
Adrienne had had many teachers and many strange lessons, and the whole
had combined into a varied and truly most unconventional education.
Her father had lavished musical training upon her. At Florence, where
they stayed a whole year, longer than anywhere else, she had wandered
about with a kind-hearted old artist, who led her about with him to
the great galleries, and showed her the grandest pictures, and made
her know the beautiful buildings, till she had imbibed the undying
loveliness of such masterpieces as Giotto’s Campanile, or Michael
Angelo’s Duomo, and had discovered that her favourite thing in Florence
was the ‘Pensiero’ Medici of the last-named artist.
‘You remind me of him,’ she added, suddenly looking at Myles. And she
had sat, at thirteen years of age, for a picture of ‘Gravity.’
‘Was that what he called you?’ asked Myles.
Public-domain text, read in full here on John Shaqi.
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