Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
The little trip seemed to have had a most happy effect upon Bruno, as
upon all the others. He had lost much of his sombre reserve; he sought
out company which he had formerly avoided, in common with Oswald, and
persuaded his teacher even to take part in promenades and other joint
excursions of pleasure. He did not suspect that Oswald was by no means
making a sacrifice when he yielded to his entreaties, but only
pretended to be reluctant in order to excuse himself in his own heart
for his inconsistency. When Oswald teased Bruno about this new interest
in persons and things which had formerly been indifferent to him, the
latter replied that he did not know what had happened to him; but that
he felt like a bird who, after being kept in a cage, had recovered his
freedom; like a flower when the sun was coming out, after storm and
rain. And really Bruno was merry like a bird, and, in his joyousness,
beautiful like a flower which is just opening to the light of day. One
could not help admiring the glorious boy; his kind ways were as
irresistibly charming as his defiance was repelling and at times
offensive. All agreed on this one point, that a great change had taken
place in Bruno, but how it had been brought about no one knew and no
one suspected.
And yet the cause would hardly have escaped an acute observer, nor
Oswald himself, if he had not been fully occupied with his own affairs.
The very first conversation with Bruno on the evening of his arrival
might have furnished him the key. As then Helen's name was continually
reappearing in his recitals, so now all he said and did had some
reference to Helen, although he was instinctively careful to place
others in the foreground, and to appear least interested in Helen
herself--just as a bird tries to lure the pursuer away from his nest by
his anxious fluttering to and fro. For not only shame is born in
secret; love springs forth in the same way, especially when the heart
that bears it is still young and innocent, so innocent that it hardly
knows what is going on, and only feels the one thing, that a god has
touched it. "What is the matter with the boy?" they asked, when they
saw how his eyes shone, how bold and proud his carriage was, how
elastic his step; when they heard his voice, which was now as soft as
the evening breeze, and then, in the excitement of a game, or whenever
his energy was roused, as clear and powerful as the sound of a trumpet.
Public-domain text, read in full here on John Shaqi.
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