Problems in Greek historyMahaffy, J. P. (John Pentland)
History
Problems in Greek history
Mahaffy, J. P. (John Pentland)
Greece -- Historiography; Greece -- History
But when we come to the case of superior individuals, to whom religion
is a living and acting force, then we have on the Greek side those
splendid thinkers, whose lives were as pure a model as their
speculations were a lesson, to the world. These men certainly did not
require a higher faith to make them good citizens, and were a 'law unto
themselves, showing forth the work of law written in their hearts,' with
a good conscience. The analogy, then, between the old Greek States and
ours as regards education may be closer than is usually assumed by those
who have before them the contrast of religions.
[Sidenote: Greek views on music]
I will mention a very different point on which all the ancient educators
were agreed, and which seems quite strange to modern notions,--I mean
the capital importance of music, on account of its direct effect upon
morals. They all knew that the Spartan pipes had much the same effect as
the Highland pipes have now upon the soldiers who feel them to be their
national expression. Hence all music might be regarded as either
wholesome or unwholesome stimulant, wholesome or unwholesome soothing,
to the moral nature; and not only does the sober Aristotle discuss with
great seriousness and in great detail the question of this influence,
but he agrees with Plato in regarding the State as bound to interfere
and prevent those strains, 'softly sweet in Lydian measure,' which
delighted, indeed, and beguiled the sense, but disturbed and endangered
the morals of men.
[Sidenote: discussed in my _Rambles and Studies in Greece_.]
On this fascinating but difficult subject I have already said my say in
the last chapter of my _Social Life in Greece_[126:1], and I will only
repeat that if the Greeks put too much stress on this side of education
as affecting character, the moderns have certainly erred in the opposite
directions, and are quite wrong in regarding music as an accomplishment
purely æsthetic, as having nothing to say to the practical side of our
nature,--our sensual passions and our moral principles.
[Sidenote: Xenophon's ideal.]
§ 53. It remains for us to note the chief variations between the
positions of the various theorists on the ideal State. Xenophon tells us
his views under the parable of the ideal education and government of a
perfect king. But as he did not conceive such a personage possible in
the Hellenic world, he chooses the great Cyrus of Persia,--a giant
figure remote from the Greeks of his day, and looming through the mists
of legend[127:1]. But he makes it quite plain that he considers the
monarchy of the right man by far the most perfect form of government,
and his tract on the Spartan State shows how he hated democracy, and
favoured those States which reserved all power for the qualified few.
[Sidenote: Aristotle's.]
[Sidenote: Aristotle's Politics ignore Alexander.]
Public-domain text, read in full here on John Shaqi.
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