The poor classes who cannot afford a vacation, live in filth and unsanitary conditions the year round, and during their natural lives. The dwellings of the poor are built without regard to architecture, comfort or hygiene, and the domestic condition of the occupants is a menace to health. The floor of a majority of the huts is the ground, which during the rainy season becomes damp, and not infrequently muddy. The refuse water from the houses is thrown any place outside to get rid of it, and there being no drains to carry it away, it becomes stagnant and creates disease. Donkeys, dogs, pigs and poultry maintain intimate social relations with the members of the household, not infrequently being housed with the family at night. Chile has several dishes peculiar to and characteristic of the country. Cazuela is, strictly speaking, a national dish. It is a sort of soup, served as a first course at any meal, but more particularly for breakfast. It is made of mutton, “cordero,” or fowl, with various kinds of vegetables, all cooked together and served hot. It possesses the merit of including both meat and vegetable, solid and liquid food. In addition to being inexpensive, it is easily made and is very palatable. It is extremely popular with all classes of Chilenos and is a dish that foreigners invariably become fond of after once having tested its good qualities. A breakfast in Chile without cazuela would be considered a poor meal. “Puchero,” is another dish of which the Chilenos are fond, and which is usually served at dinner. It consists of meat boiled with a variety of vegetables, all being cooked dry, and served without liquid. “Empanadas,” a sort of meat pie, is also popular and peculiar to the country. The zama cuaca is the national dance of Chile. It is danced by all classes, and is made clownish or genteel, coarse or refined, according to the different social grades of the participants. In no case can it be considered vulgar, and when properly danced it is graceful and attractive. It is danced in couples. The lady and gentleman each carry a handkerchief in the right hand, which they wave in front of their partner as they move about the room, keeping time to the lively and inspiring music of harps and guitars. The music of the instruments is usually accompanied with the hum of voices and the clapping of the hands of spectators. The dancers always face each other, except at certain intervals, when they turn suddenly around and then proceed as before. Whether in the parlor, in a despacho, a cancha de bola, or in the open, the zama cuaca is a national favorite, and the music will always arouse the interest and enthusiasm of everyone present. It is indulged in on all occasions where people congregate, day or night, and crowds frequently stop along the country roads to dance the cuaca.