Project Gutenberg Complete Works of Winston ChurchillChurchill, Winston
General
Project Gutenberg Complete Works of Winston Churchill
Churchill, Winston
American fiction
Those who reached the steps gave back, respectfully, and there came an
elderly lady in a sober turban, a black mantilla wrapped tightly about
her shoulders, and I made no doubt that she was Monsieur Gratiot's
mother-in-law, Madame Chouteau, she whom he had jestingly called the
queen regent. I was sure of this when I saw Madame Gratiot behind her.
Madame Chouteau indeed had the face of authority, a high-bridged nose, a
determined chin, a mouth that shut tightly. Madame Gratiot presented us
to her mother, and as she passed on to the gate Madame Chouteau reminded
us that we were to dine with her at two.
After her the congregation, the well-to-do and the poor alike, poured out
of the church and spread in merry groups over the grass: keel boatmen in
tow shirts and party-colored worsted belts, the blacksmith, the
shoemaker, the farmer of a small plot in the common fields in large
cotton pantaloons and light-wove camlet coat, the more favored in
skull-caps, linen small-clothes, cotton stockings, and silver-buckled
shoes,--every man pausing, dipping into his tabatiere, for a word with
his neighbor. The women, too, made a picture strange to our eyes, the
matrons in jacket and petticoat, a Madras handkerchief flung about their
shoulders, the girls in fresh cottonade or calamanco.
All at once cries of "'Polyte! 'Polyte!" were heard, and a nimble young
man with a jester-like face hopped around the corner of the church,
trundling a barrel. Behind 'Polyte came two rotund little men perspiring
freely, and laden down with various articles,--a bird-cage with two
yellow birds, a hat-trunk, an inlaid card box, a roll of scarlet cloth,
and I know not what else. They deposited these on the grass beside the
barrel, which 'Polyte had set on end and proceeded to mount, encouraged
by the shouts of his friends, who pressed around the barrel.
"It's an auction," I said.
But Nick did not hear me. I followed his glance to the far side of the
circle, and my eye was caught by a red ribbon, a blush that matched it.
A glance shot from underneath long lashes,--but not for me. Beside the
girl, and palpably uneasy, stood the young man who had been called
Gaspard.
"Ah," said I, "your angel of the tumbrel."
But Nick had pulled off his hat and was sweeping her a bow. The girl
looked down, smoothing her ribbon, Gaspard took a step forward, and other
young women near us tittered with delight. The voice of Hippolyte
rolling his r's called out in a French dialect:--
"M'ssieurs et Mesdames, ce sont des effets d'un pauvre officier qui est
mort. Who will buy?" He opened the hat-trunk, produced an antiquated
beaver with a gold cord, and surveyed it with a covetousness that was
admirably feigned. For 'Polyte was an actor. "M'ssieurs, to own such a
hat were a patent of nobility. Am I bid twenty livres?"
There was a loud laughter, and he was bid four.
Public-domain text, read in full here on John Shaqi.
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