Project Gutenberg Complete Works of Winston ChurchillChurchill, Winston
General
Project Gutenberg Complete Works of Winston Churchill
Churchill, Winston
American fiction
We walked on, and halfway down the block we came upon a new house with
more pretensions than its neighbors. It was set back a little from the
street, and there was a high adobe wall into which a pair of gates were
set, and a wicket opening in one of them. Over the wall hung a dark
fringe of magnolia and orange boughs. On each of the gate-posts a
crouching lion was outlined dimly against the fainting light, and, by
crossing the street, we could see the upper line of a latticed gallery
under the low roof. We took our stand within the empty doorway of a
blackened house, nearly opposite, and there we waited, Nick murmuring all
sorts of ridiculous things in my ear. But presently I began to reflect
upon the consequences of being taken in such a situation by a constable
and dragged into the light of a public examination. I put this to Nick
as plainly as I could, and was declaring my intention of going back to
Madame Bouvet's, when the sound of voices arrested me. The voices came
from the latticed gallery, and they were low at first, but soon rose to
such an angry pitch that I made no doubt we had hit on the right house
after all. What they said was lost to us, but I could distinguish the
woman's voice, low-pitched and vibrant as though insisting upon a
refusal, and the man's scarce adult tones, now high as though with balked
passion, now shaken and imploring. I was for leaving the place at once,
but Nick clutched my arm tightly; and suddenly, as I stood undecided, the
voices ceased entirely, there were the sounds of a scuffle, and the
lattice of the gallery was flung open. In the all but darkness we saw a
figure climb over the railing, hang suspended for an instant, and drop
lightly to the ground. Then came the light relief of a woman's gown in
the opening of the lattice, the cry "Auguste, Auguste!" the wicket in the
gate opened and slammed, and a man ran at top speed along the banquette
towards the levee.
Instinctively I seized Nick by the arm as he started out of the doorway.
"Let me go," he cried angrily, "let me go, Davy."
But I held on.
"Are you mad?" I said.
He did not answer, but twisted and struggled, and before I knew what he
was doing he had pushed me off the stone step into a tangle of blackened
beams behind. I dropped his arm to save myself, and it was mere good
fortune that I did not break an ankle in the fall. When I had gained the
step again he was gone after the man, and a portly citizen stood in front
of me, looking into the doorway.
"Qu'est-ce-qu'il-y-a la dedans?" he demanded sharply.
Public-domain text, read in full here on John Shaqi.
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