Before passing to the shift from Erinyes to Semnae it may be well to note
that another tragedian—priest as well as poet—held to the more primitive
view, realized definitely that the Erinyes, the avengers, were merely
angry implacable Keres. To Sophocles in the _Oedipus Tyrannus_[610]
Apollo is the minister, not, as in the _Eumenides_, of reconciliation,
but of vengeance. He has taken over the functions of the Erinyes. With
the lightning and fire of his father Zeus he leaps full-armed upon the
guilty man; but even Apollo cannot dispense with the ancient avengers.
With him
‘Dread and unerring
Follow the Keres.’
The Keres here are certainly regarded as a kind of Fate, but to translate
the word ‘Fates’ is to precipitate unduly the meaning. The words calls up
in the poet’s mind[611], not only the notion of ministers of vengeance,
but also the reminiscence of ghostly fluttering things. He says of the
guilty man:
‘Fierce as a bull is he,
Homeless, with desolate foot he seeks to flee
The dooms of Gaia’s central mound.
In vain, they live and flit ever around.’
Again, in the _Electra_ of Euripides[612], though the Erinyes are fully
personified as dog-faced goddesses, yet they are also Keres.
‘They hunt you like dread Keres, goddesses
Dog-faced, in circling madness.’
Here the word Keres seems to be used because Moirae is of too beneficent
and omnipotent association; Keres keeps the touch of personal ghostly
vengeance.
* * * * *
To resume: the Erinyes are attributive epithets of ghosts, formless in
Homer, but gradually developed by literature, and especially by the
genius of Aeschylus, into actual impersonations. In accordance with
this merely attributive origin it is not strange that quâ Erinyes their
cult is practically non-existent. In only one instance do we hear of
a definite place of worship for the Erinyes _as such_. Herodotus[613]
tells us that at Sparta the children of the clan of the Aegidae ‘did
not survive.’ Accordingly in obedience to an oracle the Aegidae ‘made a
sanctuary to the Erinyes of Laios and Oedipus.’
Public-domain text, read in full here on John Shaqi.
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