The hero had for his sphere of beneficence the whole circle of human
activities. Like all primitive divinities he was of necessity a
god-of-all-work; a primitive community cannot afford to departmentalize
its gods. The local hero had to help his family to fight, to secure
fertility for their crops and for themselves, act as oracle when the
community was perplexed, be ready for any emergency that might arise, and
even on occasion he must mend a broken jug. But most of all he was adored
as a Healer. As a Healer he rises very nearly to the rank of an Olympian,
but through the gentleness of his office he keeps a certain humanity that
prevents complete deification. A typical instance of the Hero-Healer is
the god Asklepios.
* * * * *
We conceive of Asklepios as he is figured in many a Greek and
Graeco-Roman statue, a reverend bearded god, somewhat of the type of
Zeus, but characterized by the staff on which he leans and about which is
twined a snake. The snake, our hand-books tell us, is the ‘symbol of the
healing art,’ and hence the attribute of Asklepios, god of medicine.
[Illustration: FIG. 101.]
The design in fig. 101, from a votive relief[885] found in the
Asklepieion and now in the National Museum at Athens, gives cause for
reflection. The god himself stands in his familiar attitude, waiting
the family of worshippers who approach with offerings. A little happy
honoured boy is allowed to lead the procession bringing a sheep to the
altar. Behind the god is his attribute, a huge coiled snake, his head
erect and level _with the god he is_. Take away the human Asklepios and
the scene is yet complete, complete as on the Meilichios relief in fig.
2, the great hero snake and his worshippers.
[Illustration: FIG. 102.]
The relief in fig. 101 is under a foot in length, the offering probably
of some poor man who clung to his old faith in the healing snake-hero. It
forces us in its plain-spoken simplicity to face just the fact that the
dedicator of the next relief[886] (fig. 102) is so anxious to conceal.
This second relief is the offering of a rich man, the figures are about
half life-size; it was found in the same Asklepieion on the S. slope of
the Acropolis. Asklepios no longer stands citizen-fashion leaning on
his staff: he is seated in splendour, and beside him is coiled a very
humble attributive snake. Behind are two figures, probably of a son and
a daughter, and they all three occupy a separate chapel aloof from their
human worshippers.
Public-domain text, read in full here on John Shaqi.
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