Prophetical, Educational and Playing CardsVan Rensselaer, John King, Mrs.
Religion
Prophetical, Educational and Playing Cards
Van Rensselaer, John King, Mrs.
Fortune-telling by cards -- History; Playing cards -- History
The hanged man is a remarkable figure on the twelfth leaf of the Book of
Thoth. The person is suspended by one foot from a gibbet that is crudely
made, by placing a bar in the fork of two opposite trees that have been
lopped of other branches. The hands are tied behind, and the right leg
crosses the left, by which the figure is suspended. This peculiar form of
punishment was at one time inflicted for certain kinds of crimes in
Etruria, and was probably typical when it was adopted. It has been
suggested that one of the signs of recognition between Freemasons consists
in crossing the legs, although these persons generally remain upright and
are not contortionists, so it is difficult to concede this connection with
the figure on the Atout. It shows a young man, who is said to be the
Pagat, or inquirer, of the first Atout, who, having passed through the
temptations of youth, begins to aspire to an ethical future. This is
exemplified by his position, indicating discipline, or submission to a
superior will. Perhaps another idea is, that since all the blood has run
to his head, the powers of knowledge are concentrated, and will be
increased. The card expresses equilibrium, charity, courage, knowledge and
prudence; also wisdom and fidelity. Lamed is the corresponding Hebrew
letter; it designates the arm, so is, therefore, connected with expansive
power and movement, as applied to all ideas of extension, of occupation,
of possession. The figure being raised above the earth, and in a position
of pain, together with humility, typifies a mind withdrawn from temporal
ideas, or a martyr to science. Vulcan is supposed to be the Olympian god
typified by L'Appeso, not only on account of the strong arm, but also
because he was thrown out of heaven and lamed for life.
XIII. LA MORTE (Death)
Public-domain text, read in full here on John Shaqi.
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