In sporting literature—a tenth muse, exclusively indigenous to England—the same observation holds good tenfold. Some of our most perfect topographical sketches have been the work of sportsmen. Old Izaak Walton, and his friend Cotton, of Dovedale, whose names will last as long as their rivers, have been followed by a long train of worthy pupils. White’s ‘History of Selborne;’ Sir Humphry Davy’s ‘Salmonia;’ ‘The Wild Sports of the West;’ Mr. St. John’s charming little works on Highland Shooting; and, above all, Christopher North’s ‘Recreations’—delightful book! to be read and re-read, the tenth time even as the first—an inexhaustible fairy well, springing out of the granite rock of the sturdy Scotch heart, through the tender green turf of a genial boyish old age. Sporting books, when they are not filled—as they need never be—with low slang, and ugly sketches of ugly characters—who hang on to the skirts of the sporting world, as they would to the skirts of any other world, in default of the sporting one—form an integral and significant, and, it may be, an honourable and useful part, of the English literature of this day; and, therefore, all shallowness, vulgarity, stupidity, or bookmaking in that class, must be as severely attacked as in novels and poems. We English owe too much to our field sports to allow people to talk nonsense about them. Claude smiled at some such words of mine that day. ‘You talk often of the poetry of sport. I can see nothing in it but animal excitement, and a certain quantity, I suppose, of that animal cunning which the Red Indian possesses in common with the wolf and the cat, and any other beast of prey. As a fact, the majority of sportsmen are of the most unpoetical type of manhood.’ ‘More unpoetical than the average man of business, or man of law, Claude? Or even than the average preacher? I believe, on the contrary, that for most of them it is sport which at once keeps alive and satisfies what you would call their æsthetic faculties, and so—smile if you will—helps to make them purer, simpler, more genial men.’ ‘Little enough of æsthetic appears either in their conversation or their writing.’ ‘Esau is a dumb soul, especially here in England; but he has as deep a heart in him as Jacob, nevertheless, and as tender. Do you fancy that the gentleman over whose book we were grumbling last night, attached no more to his own simple words than you do? His account of a stag’s run looks bald enough to you: but to him (unless Diana struck him blind for intruding on her privacy) what a whole poem of memories there must be in those few words,—“Turned down * * Water for a mile, and crossed the forest to Watersmeet, where he was run into after a gallant race.”’ ‘A whole poem?’ ‘Why not? How can there be less, if he had eyes to see?’