‘So is the whole place, in my eyes,’ said Claude. ‘I have seen nothing
in England to be compared to this little strip of paradise between two
great waste worlds of sea and moor. Lynmouth might be matched among the
mountains of Wales and Ireland. The first three miles of the Rheidol,
from the Devil’s Bridge towards Aberystwith, or the gorge of the Wye,
down the opposite watershed of the same mountains, from Castle Dufferin
down to Rhaiadyr, are equal to it in magnificence of form and colour, and
superior in size. But I question whether anything ever charmed me more
than did the return to the sounds of nature which greeted me to-day, as I
turned back from the dreary, silent moorland turnpike into this new road,
terraced along the cliffs and woods—those who first thought of cutting it
must have had souls in them above the herd—and listened to a glorious
concert in four parts, blending and supporting each other in exquisite
harmony, from the shrill treble of a thousand birds, and the soft
melancholy alto of the moaning woods, downward through the rich tenor hum
of innumerable insects, who hung like sparks of fire beneath the glades
of oak, to the bass of the unseen surge below,
“Whose deep and dreadful organ-pipe,”
far below me, contrasted strangely with the rich soft inland character of
the deep woods, luxuriant ferns, and gaudy flowers. It is that very
contrast which makes the place so unique. One is accustomed to connect
with the notion of the sea bare cliffs, breezy downs, stunted shrubs
struggling for existence: and instead of them behold a forest wall, 500
feet high, of almost semi-tropic luxuriance. At one turn, a deep glen,
with its sea of green woods, filled up at the mouth with the bright azure
sheet of ocean.—Then some long stretch of the road would be banked on one
side with crumbling rocks, festooned with heath, and golden hawkweed, and
London pride, like velvet cushions covered with pink lace, and beds of
white bramble blossom alive with butterflies; while above my head, and on
my right, the cool canopy of oak and birch leaves shrouded me so close,
that I could have fancied myself miles inland, buried in some glen
unknown to any wind of heaven, but that everywhere between green sprays
and grey stems, gleamed that same boundless ocean blue, seeming, from the
height at which I was, to mount into the very sky. It looked but a step
out of the leafy covert into blank infinity. And then, as the road wound
round some point, one’s eye could fall down, down, through the abyss of
perpendicular wood, tree below tree clinging to and clothing the cliff,
or rather no cliff; but perpendicular sheet of deep wood sedge, and broad
crown ferns, spreading their circular fans.—But there is no describing
them, or painting them either.—And then to see how the midday sunbeams
leapt past one down the abyss, throwing out here a grey stem by one point
of burnished silver, there a hazel branch by a single leaf of glowing
Public-domain text, read in full here on John Shaqi.
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