Proserpina, Volume 1: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps and in the Scotland and England Which My Father KnewRuskin, John
Science
Proserpina, Volume 1: Studies of Wayside Flowers, While the Air was Yet Pure Among the Alps and in the Scotland and England Which My Father Knew
Ruskin, John
Flowers; Plants
"The sound of 'It cruor,' according to Diderot, suggests the image of a jet
of blood; 'cervix collapsa recumbit,' the fall of a dying man's head upon
his shoulder; 'succisus' imitates the use of a cutting scythe (not plough);
'demisere' is as soft as the eye of a flower; 'gravantur,' on the other
hand, has all the weight of a calyx, filled with rain; 'collapsa' marks an
effort and a fall, and similar double duty is performed by 'papavera,' the
first two syllables symbolizing the poppy upright, the last two the poppy
bent. While thus pursuing his minute investigations, Diderot can scarcely
help laughing at himself, and candidly owns that he is open to the
suspicion of discovering in the poem beauties which have no existence. He
therefore qualifies his eulogy by pointing out two faults in the passage.
'Gravantur,' notwithstanding the praise it has received, is a little too
heavy for the light head of a poppy, even when filled with water. As for
'aratro,' coming as it does after the hiss of 'succisus,' it is altogether
abominable. Had Homer written the lines, he would have ended with some
hieroglyph, which would have continued the hiss or described the fall of a
flower. To the hiss of 'succisus' Diderot is warmly attached. Not by
mistake, but in order to justify the sound, he ventures to translate
'aratrum' into 'scythe,' boldly and rightly declaring in a marginal note
that this is not the meaning of the word."
[32] And I have too harshly called our English vines, 'wicked weeds of
Kent,' in Fors Clavigera, xxvii. 11. Much may be said for Ale, when we brew
it for our people honestly.
[33] Has my reader ever thought,--I never did till this moment,--how it
perfects the exquisite character which Scott himself loved, as he invented,
till he changed the form of the novel, that his habitual interjection
should be this word;--not but that the oath, by conscience, was happily
still remaining then in Scotland, taking the place of the mediaeval 'by St.
Andrew,' we in England, long before the Scot, having lost all sense of the
Puritanical appeal to private conscience, as of the Catholic oath, 'by St.
George;' and our uncanonized 'by George' in sonorous rudeness, ratifying,
not now our common conscience, but our individual opinion.
[34] 'Jotham,' 'Sum perfectio eorum,' or 'Consummatio eorum.'
(Interpretation of name in Vulgate index.)
[35] If you will look at the engraving, in the England and Wales series, of
Turner's Oakhampton, you will see its use.
[36] General assertions of this kind must always be accepted under
indulgence,--exceptions being made afterwards.
[37] I use 'round' rather than 'cylindrical,' for simplicity's sake.
Public-domain text, read in full here on John Shaqi.
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