So, beyond the river of time that flows between, walk the brave men
and the beautiful women of our ancestry, grouped in twilight upon the
shore. Distance smooths away defects, and, with gentle darkness,
rounds every form into grace. It steals the harshness from their
speech, and every word becomes a song. Far across the gulf that ever
widens, they look upon us with eyes whose glance is tender, and which
light us to success. We acknowledge our inheritance; we accept our
birthright; we own that their careers have pledged us to noble action.
Every great life is an incentive to all other lives; but when the
brave heart, that beats for the world, loves us with the warmth of
private affection, then the example of heroism is more persuasive,
because more personal.
This is the true pride of ancestry. It is founded in the tenderness
with which the child regards the father, and in the romance that time
sheds upon history.
"Where be all the bad people buried?" asks every man, with Charles
Lamb, as he strolls among the rank grave-yard grass, and brushes it
aside to read of the faithful husband, and the loving wife, and the
dutiful child.
He finds only praise in the epitaphs, because the human heart is kind;
because it yearns with wistful tenderness after all its brethren who
have passed into the cloud, and will only speak well of the departed.
No offence is longer an offence when the grass is green over the
offender. Even faults then seem characteristic and individual. Even
Justice is appeased when the drop falls. How the old stories and plays
teem with the incident of the duel in which one gentleman falls, and,
in dying, forgives and is forgiven. We turn the page with a tear. How
much better had there been no offence, but how well that death wipes
it out.
It is not observed in history that families improve with time. It is
rather discovered that the whole matter is like a comet, of which the
brightest part, is the head; and the tail, although long and luminous,
is gradually shaded into obscurity.
Yet, by a singular compensation, the pride of ancestry increases in
the ratio of distance. Adam was valiant, and did so well at Poictiers
that he was knighted--a hearty, homely country gentleman, who lived
humbly to the end. But young Lucifer, his representative in the
twentieth remove, has a tinder-like conceit because old Sir Adam was
so brave and humble. Sir Adam's sword is hung up at home, and Lucifer
has a box at the opera. On a thin finger he has a ring, cut with a
match fizzling, the crest of the Lucifers. But if he should be at a
Poictiers, he would run away. Then history would be sorry--not only
for his cowardice, but for the shame it brings upon old Adam's name.
Public-domain text, read in full here on John Shaqi.
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